There's nothing fabulous about 50 for L.A. film critic Jeremy Lerner, who loses his marriage, his job, and the use of his right arm just days after the birthday party he begged his now ex-wife not to throw him. But fate is a sly devil.Jeremy's string of calamities leads to a game-changing emotional and creative rebirth after he meets the intoxicating Annabelle, a beguiling widow who comes to his rescue-and Jeremy to hers. If only their baggage didn't match quite so well. With the added support of his wise and spirited mom, Joyce, his capricious and big-hearted son, Matty, and Matty's steadfast new boyfriend, Gabe, Jeremy begins to change in ways that surprise, inspire, and galvanize him. All of this while his career makes a head-spinning leap. The thing is, can it last?The Last Birthday Party combines wry observation with an everyday wistfulness for a warm, propulsive, humanly funny tale of second chances set against the alluring nuttiness of Hollywood.

The birthday of the Emperor of Japan has always been special. It’s Akihito’s birthday too, and he spends it with his best friend, Kenji. But with the emperor abdicating and adulthood looming, it might be Akihito’s last chance to tell Kenji how he really feels.

My birthday is 5 months, 3 weeks, 2 days, and 8 hours away. Today I'm starting to plan my party. So what if the Big Day's not exactly around the corner? This little girl is planning her party now. She has to, if she wants to have the best birthday party ever. She'll have the tallest birthday cake in the world, plus camels, elephants, a ferris wheel (of course), and a castle . . . with a moat. Kids will laugh out loud at the girl's wild plans, and love the oh-so-sweet ending, which involves a modest but fun party. Jennifer LaRue Huget and LeUyen Pham brilliantly capture what it feels like to be the Birthday Girl—a feeling many children will relate to.

V. 12 contains: The Archer...Christmas, 1877.

Anne Geraghty was a clinical psychologist and psychotherapist when her son, Tim Guest, author of My Life in Orange died suddenly. Her old life ended. She went on a search for her lost son. Where was he? What was he? Did he live on in some other realm? Or had he fallen into the darkness of oblivion? Her search for Tim became an exploration into the nature of death itself. We die as we have lived. Our lives are not like those of a C12th Tibetan, a C15th Cardinal or a Zen monk; we cannot, therefore, simply turn to old maps and myths of what happens when we die. We need a new narrative of death that embraces our modern understandings of our humanity and the workings of the universe. This book is the story of a grieving mother looking for her dead son, an investigation into death in our modern world, and an exploration of our struggles to live well in the ever-present shadow of death. It is not a book with answers; it is an invitation to look at death differently. This book offers fresh and original ideas about death and dying. And it will radically change your understanding of what death is.

In this wide-ranging and thought-provoking analysis of the sociocultural and personal meanings of food and eating, Deborah Lupton explores the relationship between food and embodiment, the emotions and subjectivity. She includes discussion of the intertwining of food, meaning and culture in the context of childhood and the family, as well as: the gendered social construction of foodstuffs; food tastes, dislikes and preferences; the dining-out experience; spirituality; and the `civilized' body. She draws on diverse sources, including representations of food and eating in film, literature, advertising, gourmet magazines, news reports and public health literature, and her own empirical research into people's preferences, memories, experiences

When Rayford Johnson, Jr., The Man of God, returns home for a funeral, he has no idea his life will be changed forever. He sees his high school sweetheart for the first time in 20 years and realizes he has never stopped loving her. But what tore them apart as teenagers – her marriage to someone else and the child that was born of the union – threatens to separate them apart once again. At the same time, his rock, his example, Rayford, Sr. reveals a secret to the family. It is potentially devastating and sends The Man of God or “ManMan” as he is called, to the very edge of his faith. He wages a war in the spirit realm that pits his soul against forces that tempt him to act in evil, vindictive ways. In the end, the lesson he knows God is trying to teach him has little to do with him and all to do with forgiveness.