The object of the volume is the analysis of the main dictionaries and glossaries of the canting language (the particular jargon spoken by thieves and vagabonds) that appeared in the 17th and 18th centuries. The scholars' attention has mostly concentrated on the earliest publications - particulary those appearing in the Elizabethan period -, while relatively little research has investigated subsequent canting dictionaries and glossaries. The aim of the present volume is to fill this gap. The main works on canting published in the 17th and 18th centuries are analysed in chapters 3 to 10. The first two chapters provide a necessary introduction to the investigation carried out in the subsequent sections, examining the great increase in the numbers of vagabonds and criminals in England in that period from a sociohistorical perspective and reviewing the 16th-century English literature about the underworld. The subsequent eight chapters give a detailed analysis of the main works on canting which appeared in the second part of the 17th century and during the whole of the 18th century. The specific features of each publication are identified, as well as the method adopted by its author in the compilation of his dictionary/glossary and the most likely sources of its entries, in order to determine the degree of novelty and relevance that his contribution has brought to this field. The final chapter deals with the evolution in the meaning of the term 'cant' itself in the period taken into consideration.

Tracking an underground language and the outcasts who depended on it for their survival. Centuries ago in middle Europe, a coded language appeared, scrawled in graffiti and spoken only by people who were "wiz" (in the know). This hybrid language, dubbed Rotwelsch, facilitated survival for people in flight—whether escaping persecution or just down on their luck. It was a language of the road associated with vagabonds, travelers, Jews, and thieves that blended words from Yiddish, Hebrew, German, Romani, Czech, and other European languages and was rich in expressions for police, jail, or experiencing trouble, such as "being in a pickle." This renegade language unsettled those in power, who responded by trying to stamp it out, none more vehemently than the Nazis. As a boy, Martin Puchner learned this secret language from his father and uncle. Only as an adult did he discover, through a poisonous 1930s tract on Jewish names buried in the archives of Harvard’s Widener Library, that his own grandfather had been a committed Nazi who despised this "language of thieves." Interweaving family memoir with an adventurous foray into the mysteries of language, Puchner crafts an entirely original narrative. In a language born of migration and survival, he discovers a witty and resourceful spirit of tolerance that remains essential in our volatile present.

The story of the secret language of Central Europe and its legacy on the author's hidden Nazi family history, from the author of The Written World.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.