This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Barbara H. Rosenwein here reassesses the significance of property in the tenth and eleventh centuries, a period of transition from the Carolingian empire to the regional monarchies of the High Middle Ages. In To Be the Neighbor of Saint Peter she explores in rich detail the question of monastic donations, illuminating the human motives, needs, and practices behind gifts of land and churches to the French monastery of Cluny during the 140 years that followed its founding. Donations, Rosenwein shows, were largely the work of neighbors, and they set up and affirmed relationships with Saint Peter, to whom Cluny was dedicated.Cluny was an eminent religious institution and served as a model for other monasteries. It attracted numerous donations and was party to many land transactions. Its charters and cartularies constitute perhaps the single richest collection of information on property for the period 909-1049. Analyzing the evidence found in these records, Rosenwein considers the precise nature of Cluny's ownership of land, the character of its claims to property, and its tutelage over the land of some of the monasteries in its ecclesia.

The Republic of St. Peter seeks to reclaim for central Italy an important part of its own history. Noble's thesis is at once original and controversial: that the Republic, an independent political entity, was in existence by the 730s and was not a creation of the Franks in the 750s. Noble examines the political, economic, and religious problems that impelled the central Italians—and a succession of resolute popes—to seek emancipation from the Byzantine Empire. He delineates the social structures and historical traditions that produced a distinctive political society, describes the complete governmental apparatus of the Republic, and provides a comprehensive assessment of the Franco-papal alliance.

In 2008, Ken Timmerman warned the U.S. government and the American public that Christians were “facing extinction” in northern Iraq. In the summer of 2017, he was back on the ground, debriefing the most recent victims of the ISIS onslaught. Sometimes fiction precedes reality. That is the case with ISIS Begins. A politico-religious thriller first written in 2010, and updated in recent months after Ken’s most recent trips to northern Iraq, it gives readers a ringside seat to a tragedy that never should have happened. Everybody with any involvement on the ground in Iraq, from U.S. government officials to Christian aid organizations to journalists like Ken, knew what would happen once the U.S. pulled out of Iraq. ISIS Begins takes you on a journey of the heart, bringing alive the sufferings of Iraqi Christians persecuted for their faith by jihadi Muslims. It also unveils the deep corruption and utter cynicism of some career U.S. government officials, who used their power to enrich themselves at the expense of their fellow citizens – while decimating a Christian community that still uses the language of Jesus at home and in church. “I have spent my life tracking the murderers of yesterday. Ken Timmerman is tracking the murderers of tomorrow.” —Simon Wiesenthal “Timmerman names names… We’re going to have to get this book in the hands of a lot of people... Your book is fabulous! – Rush Limbaugh, on Shadow Warriors

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Peter Doig is well known for the exotic atmospheres and dreamy narratives that appear in his work. With an uncommonly rich color palette and a unique material sensibility, he has created some of the most resonant and evocative images in contemporary painting, placing him among the most inventive painters working today. But, as this extensive volume makes clear, he is also a sophisticated visual thinker, endlessly preoccupied with the process and history of painting. No Foreign Lands is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works. Doig graduated from St. Martin's School of Art in 1983 and the Chelsea School of Art in 1990. He was nominated for the Turner Prize in 1994, and was included in the 2006 Whitney Biennial. In February 2013, his painting "The Architect's Home in the Ravine" sold for $12,000,000 at a London auction. The exhibition No Foreign Lands, which opened at the Scottish National Gallery before traveling to the Museum of Fine Arts, Montreal, showcases works created during the past ten years, much of which the artist spent in Trinidad. The Independent called the exhibition "a thrilling show," and The Observer praised it as "mesmerizing."