Armand Spielman had no idea of the overwhelming task before him! It was March 1969 and Armand had accepted a temporary position as a landman for the company that would build the Trans-Alaska Pipeline System. His task–acquire the project right-of-way so that crude oil would flow from the oil-producing fields of Prudhoe Bay to the ice-free port of Valdez where it would be shipped to west-coast refineries. Later, realizing the daunting task at hand, Armand recruited his long-time friend Jay Sullivan. Jay assembled an unlikely group of men who proved that ingenuity, perseverance, and a bit of naivety could get the job done. This is their story–the struggles and obstacles overcome to obtain the land needed to build the great Alaskan pipeline.

The Landman Lease and Title Manual is designed to impart upon the new and lightly experienced landman the essential skills and knowledge necessary to work in the oil and gas industry. The manual is not designed as a substitute for the traditional mentor-type learning characteristic of the oil and gas industry, nor is the manual a treatise on the law of oil and gas or land titles. The Landman Field Manual, rather, is structured to aid in development of essential title research skills and in understanding Texas oil, gas and land title law as it relates to the work performed by field landmen.

Drawing from psychology, economics, philosophy, anthropology, and classic works of literature, Landman provides an insightful anatomy of regret--what it is, how you experience it, and how it changes you. At best regret is a dynamic changing process--one can transcend regret and thus transform the self.

At the end of the American Civil War, Charley - a young African-American slave - is ostensibly freed. But then her adopted mother is raped and lynched at the hands of a mob and Charley is left alone. In a terrifyingly lawless land, where the colour of a person's skin can bring violent death, Charley disguises herself as a man and joins the army. Soon, she's sent to the prairies to fight a whole new war against the 'savage Indians'. Trapped in a world of injustice and inequality, it's only when Charley is posted to Apache territory that she begins to learn what it is to be truly free.

A powerful and deeply moving coming-of-age drama from Carnegie Medal-winning author Tanya Landman, inspired by the life of infamous sharpshooter Annie Oakley.

The actor shares a heartfelt “collection of humorous essays that explore his myriad identities: Indian, Muslim, British, and American” (The Boston Globe). “My father moved our family to the United States because of a word. It was a word whose meaning fascinated him. It was a singularly American word, a fat word, a word that could only be spoken with decadent pride. That word was . . . Brunch! “The beauty of America,” he would say, “is they have so much food, that between breakfast and lunch they have to stop and eat again.”“—from “International House of Patel” If you’re an Indo-Muslim-British-American actor who has spent more time in bars than mosques over the past few decades, turns out it’s a little tough to explain who you are or where you are from. In No Land’s Man Aasif Mandvi explores this and other conundrums through stories about his family, ambition, desire, and culture that range from dealing with his brunch-obsessed father, to being a high-school-age Michael Jackson impersonator, to joining a Bible study group in order to seduce a nice Christian girl, to improbably becoming America’s favorite Muslim/Indian/Arab/Brown/Doctor correspondent on The Daily Show with Jon Stewart. This is a book filled with passion, discovery, and humor. Mandvi hilariously and poignantly describes a journey that will resonate with anyone who has had to navigate his or her way in the murky space between lands. Or anyone who really loves brunch. “Best Comedy Books of 2014” selection by The Washington Post Praise for No Land’s Man “I was enthralled . . . . Mandvi writes beautifully and comedically about his life, with wonderful dialogue and revealing detail, reminiscent of David Sedaris.” —Jonathan Ames, author of Wake Up, Sir! “It always bothered me that Aasif was more than merely funny—he’s also a great actor. Now I’ve learned he’s an amazing storyteller as well, and I am furious . . . but also grateful. Aasif’s movement between cultures and genres is what makes him and his story singularly funny, poignant, and essential.” —John Hodgman, author of The Areas of My Expertise and More Information Than You Require “Aasif is my favorite Indo-Muslim-British-American Daily Show correspondent ever. I loved No Land’s Man!” —Jim Gaffigan, author of Dad Is Fat and Food: A Love Story “A lighthearted but heartfelt portrait of Mandvi’s childhood and his struggles to come to terms with his rather complicated life.” —The Boston Globe