'I found the photograph album by chance when we were clearing out the old coach house. It must have been sitting on the garage shelf for years among all the other family rejects.' When a woman finds a lost photo album in a garage clearout, she is drawn to the images of her ancestors. But one image in particular stands out: a baby sitting in the lap of its mother, both draped from head to toe in a cotton lace curtain or something, completely enveloped and unrecognizable. Who are they and what has happened to them? In a story that moves between 2012 and 1850, the shocking secrets of one family are gradually revealed…

Previously published in the print anthology Poirot's Early Cases. A woman about to be married is blackmailed by a former flame who threatens to send her fiancé an old love letter she wrote.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.

Muslim-American women, in all their diversity, are given the chance to tell their stories in their own voice by award-winning journalist Donna Gehrke-White. The only book of its kind, it tells in extraordinarily moving detail the lives of New Traditionalists, who wear the veil though their forebears did not; Blenders, who do not wear the veil but consider themselves spiritual; and Converts - women from other religious backgrounds who have converted to Islam. A rare, revealing look into the hearts, minds and lives of a misunderstood people.

In 1920s Los Angeles, Letitia Hawking inhabits the veil between life and death. Using her scrying bowl to experience the final moments of the deceased, Letitia brings what little closure she can to her clients, allowing them to move on with their lives. Grief-stricken war widows and mourning families find peace when they visit Letitia. She knows no such peace. For Letitia, it's penance.For Alasdair Driscoll, Letitia's abilities offer the chance to save his beloved niece, Finola, from her nightmares and-as he fears-her growing insanity. But when Letitia sees a shadowy figure attached to the Driscoll family, old fears of her unspeakable past in England surface. She refuses to help him, despite his money and insistence. Instead, Letitia finds herself facing a father whose young daughter has been kidnapped-the third girl to have gone missing in as many months. Evading a determined Mr. Driscoll, a man used to getting his way, proves difficult. And as the darkness creeps in, Letitia makes the connection between the missing girls and Finola: the shadows haunting her visions. Letitia thought she could find refuge in a new, burgeoning city, far from her past. But she'll discover that unless she helps Mr. Driscoll rid his niece of her nightmares, the shadows will haunt Letitia-risking not only her newfound sanctuary but also her very sanity.