Lushly evocative of Nicaragua, its tumultuous history, and vibrant present, Eleni N. Gage's The Ladies of Managua brings you into the lives of three strong and magnetic women, as they uncover the ramifications of the choices they made in their pasts and begin to understand the ways in which love can shape their futures. When Maria Vazquez returns to Nicaragua for her beloved grandfather's funeral, she brings with her a mysterious package from her grandmother's past—and a secret of her own. And she also carries the burden of her tense relationship with her mother Ninexin, once a storied revolutionary, now a tireless government employee. Between Maria and Ninexin lies a chasm created by the death of Maria's father, who was killed during the revolution when Maria was an infant, leaving her to be raised by her grandmother Isabela as Ninexin worked to build the new Nicaragua. As Ninexin tries to reach her daughter, and Maria wrestles with her expectations for her romance with an older man, Isabela, the mourning widow, is lost in memories of attending boarding school in 1950's New Orleans, where she loved and lost almost sixty years ago. When the three women come together to bid farewell to the man who anchored their family, they are forced to confront their complicated, passionate relationships with each other and with their country—and to reveal the secrets that each of them have worked to conceal.

When Maria Vazquez returns to Nicaragua for her beloved grandfather's funeral, she brings with her a mysterious package from her grandmother's past-and a secret of her own. And she also carries the burden of her tense relationship with her mother Ninexin, once a storied revolutionary, now a tireless government employee. Between Maria and Ninexin lies a chasm created by the death of Maria's father, who was killed during the revolution when Maria was an infant, leaving her to be raised by her grandmother Isabela as Ninexin worked to build the new Nicaragua. As Ninexin tries to reach her daughter, and Maria wrestles with her expectations for her romance with an older man, Isabela, the mourning widow, is lost in memories of attending boarding school in 1950's New Orleans, where she loved and lost almost sixty years ago. When the three women come together to bid farewell to the man who anchored their family, they are forced to confront their complicated, passionate relationships with each other and with their country-and to reveal the secrets that each of them have worked to conceal. Lushly evocative of Nicaragua, its tumultuous history, and vibrant present, Eleni N. Gage's The Ladies of Managua brings you into the lives of three strong and magnetic women, as they uncover the ramifications of the choices they made in their pasts and begin to understand the ways in which love can shape their futures.

Every engaged couple wants two things: a meaningful wedding and a lifetime of happiness. This great gift book is a cross-cultural collection of marriage folklore that will help you achieve both. Create your own lucky traditions with nods to each other’s heritage, customs from places you’ve visited together, and auspicious rituals that just feel special. Whether you are just engaged or you’re days away from tying the knot, you’ll gain insight every step of the way. With this book as your guide, you can make your own luck in love.

This is the poignant story of the author's move from New York to Lia--the remote Greek village where her grandmother was murdered, and which her father Nicholas Gage, made famous 20 years ago with his international bestseller "Eleni."

"A Jane Austen-ish plot gets a delicious Indian accent in this effervescent novel by former PEOPLE editor Gage . . . in this exotic, mysterious setting, cultures collide, love grows more complicated and Maya finally discovers just whom – and where – she is really meant to be." --People, **** Maya is an accomplished psychiatry resident with a supportive boyfriend, loving family, and bustling New York social life. When her grandmother dies in India, a family squabble over property ignites a curse that drifts across continents and threatens Maya's life. Or so her father says-- Maya (being a modern woman, an American, and a doctor) doesn't believe in curses, Brahman, or otherwise. But then a series of calamities befalls her family, her career and relationship both falter, and Maya starts to worry. She hopes a trip back to India with her best friend, Heidi, will enable her to remove the curse, save her family, and put her own life back in order. Thus begins a journey into Maya's parallel worlds-- New York and an India filled with loving and annoying relatives, vivid colors, and superstitious customs she doesn't, and does, believe in. But her time in India isn't just a visit "home" or a chance to explore the strengthening and suffocating bonds of family, it's also the beginning of a cathartic quest toward forging one identity out of two cultues as Maya learns unexpected lessons about life and love.

Journalist Christian's masterful, evenhanded account of Nicaragua's Sandinistas derives from years of interviews and on-the-scene observations. Beginning with the last days of the Somoza regime, she details the morass of political intrigue through November 1984. The problem is, she argues, that the success of ``sandinismo'' turned the people from instigators of change into objects of change, both in the eyes of the church and of the state. As the center of the struggle flew out of control onto the battlefields of Havana, Washington, Rome, and Panama, democratic principles were subordinated to other peoples' needs, a no-win situation for the peasants. To draw conclusions about Nicaragua, Christian emphasizes, is a lot more difficult than superficial U.S. policy would imply.

In Renaissance Italy women from all walks of life played a central role in health care and the early development of medical science. Observing that the frontlines of care are often found in the household and other spaces thought of as female, Sharon Strocchia encourages us to rethink women's place in the history of medicine.