Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.

There are ten important questions everyone should ask; ; and the answers to these questions, which lead to ultimate ; truth, are a matter of reason, not of faith. Well-known Catholic philosopher and writer Peter ; Kreeft tackles each of these questions in a logical ; step-by-step way, like climbing the rungs of a ladder. ; Because questions are best answered by dialogue, Kreeft ; answers these fundamental questions in an imaginary ; conversation between two very different people who meet at ; the beach. Kreeft's characters begin at the ; beginning, at the bottom of the ladder, which is the ; passion for truth. When it comes to the most important ; questions a person can ask, no mere interest in ; philosophical dabbling will do. The passion for truth does ; not stop there, however, but carries the reader from one ; page to the next in this thought-provoking adventure of the ; mind. Among the topics, or "steps", that ; Kreeft's characters delve into include: Do you ; have the passion to know? Does truth ; exist? What is the meaning of life? What ; is love, and why is it so important for our ; lives? If there is a God, what proof is there for ; his existence? Has God revealed himself to us in a ; personal way? And many other important ; questions and topics to help climb the ladder to the truth ; about life.

Jack the B. April/03.

When Jacob wakes up in the middle of a field, he realizes that the only thing he remembers is his name, and when he arrives at a nearby town he becomes aware that everyone there is also suffering from amnesia.

(Applause Books). From the hit movie directed by Adrian Lyne, this is the original script with over 100 photos. From Rubin's introduction: The script presented here is not my initial screenplay but the final draft completed just before shooting. While close to the original, some significant scenes have been changed or cut. You will find them in the final chapter.

One of Russia’s most renowned literary figures and a Man Booker International Prize nominee, Ludmila Ulitskaya presents what may be her final novel. Jacob’s Ladder is a family saga spanning a century of recent Russian history—and represents the summation of the author’s career, devoted to sharing the absurd and tragic tales of twentieth-century life in her nation. Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond, Jacob’s Ladder guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels between historical events of the early twentieth century and those of more recent memory. Spanning the seeming promise of the prerevolutionary years, to the dark Stalinist era, to the corruption and confusion of the present day, Jacob’s Ladder is a pageant of romance, betrayal, and memory. With a scale worthy of Tolstoy, it asks how much control any of us have over our lives—and how much is in fact determined by history, by chance, or indeed by the genes passed down by the generations that have preceded us into the world.