"An entertaining and informative guide to the rock and roll landmarks of Los Angeles, The L. A. Musical History Tour chronicles the clubs, hotels, studios, record company offices, residences and restaurants that have played vital roles in the lives of those who have made Los Angeles a musical mecca. The mystique and mythology of L. A. Rock and roll is preserved and presented in the photographs of these timeless (and sometimes time-ravaged) spots - not to mention Fein's commentaries on them. Want to know where Phil Spector and Bob Dylan first met, how love or the Go-Gos got going, the woods where the Rolling Stones rolled around for the cover of Big Hits (High Tide and Green Grass), where The Doors had an actual office, or where Roy Orbison is buried? It's all part of Fein's pictorial safari of the not-so familiar and extremely iconic sites that influenced Los Angeles' rich rock and roll history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Get the real skinny on the Bay Area's most illustrious rock and-roll, jazz, and blues musicians and their favorite digs from the one cat who should know—the San Francisco Chronicle's longtime music critic Joel Selvin. Here are the stories, legends, and secrets behind the clubs, recording studios, famous homes, and final resting places of dozens of music greats, from Jimi Hendrix to Linda Ronstadt. With rare archival photographs of pivotal events and places, this lively compendium will captivate both resident and visiting music fans.

"A dauntingly ambitious, obsessively researched" (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify.

Decentralization and diversity characterized much of the performance of art music in Los Angeles. Decentralization defined the city's growth since the late-nineteenth century, and because the central city did not dominate music culture, as in the East and Midwest, a greater diversification of music emerged in the communities of Greater Los Angeles. Performers and audiencesincluded Latinos, Euro-Americans, Asian Americans, and African Americans, but the notion of diversity goes beyond ethnicity; it also includes 'media diversity', the presentation of music through a variety of media. recording, radio, film media strongly influenced music performance in the city as it grew into the epicenter of entertainment in America.

First published in 1987, New York Times bestseller, I’m With The Band has been reprinted throughout the years, all over the world. This is the stylish, exuberant and sweetly innocent tale of one of the most famous groupies of the 1960s and 70s. Beginning with Pamela Des Barres’ early obsession with Elvis, her own Beatlemania madness, and her fierce determination to meet the musicians who rocked her world, I’m With The Band illuminates the glory days of scintillating encounters with musical gods including Jim Morrison, Jimi Hendrix, Mick Jagger and Keith Moon. A girl just wanting to have fun, Des Barres immersed herself in the drugs, danger and ecstasy of the freewheeling 1960s. As a member of The GTOs (Girls Together Outrageously), an all-female group masterminded by Frank Zappa, Des Barres was in the thick of the most revolutionary renaissance in the history of modern popular music. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons and Ray Davies. She had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. A woman in possession of her own destiny, Des Barres blazed a trail for women’s life-writing, standing up for female voices and experience everywhere. From original diaries, told with great warmth, chutzpah and joie de vivre, this is a frank memoir that wears its heart on its sleeve, and recalls one of rock ’n’ roll’s most thrilling eras. This edition contains new material from the author, including her response to the vitriolic shaming of groupies, and a foreword by Roisin O’Connor, rock journalist and music correspondent for the Independent.

A “richly anecdotal” account of the secluded LA neighborhood’s legendary music scene, a tale of groupies, cocaine, and California dreaming (Salon). Finalist, SCBA Book Award for Nonfiction A Los Angeles Times Bestseller In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Decades later, the music made in Laurel Canyon continues to pour from radios, earbuds, and concert stages around the world. In Laurel Canyon, veteran journalist Michael Walker draws on interviews with those who were there to tell the inside story of this unprecedented gathering of some of the era’s leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed. “An exhaustively researched and richly anecdotal book that will fascinate both rock aficionados and cultural historians.” —Salon “Captures all the magic and lyricism of an almost mythological geographical spot in the history of pop music . . . the story of a more melodious time in rock and roll where the great talents of the ‘60s and ‘70s cloistered together in a sort of enchanted valley populated by an all-star cast of characters.” —Steven Gaines, author of Philistines at the Hedgerow

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.