Shawn Brush was born with morquio disease, one of the causes of dwarfism. He loves life, but rarely has a pain-free day. “I say this,” says Shawn, who is 38, “not to evoke any sympathy or even empathy. “Being a little person is not being a mini-you,” he says. “I am not just a regular, normal person in the body half the size of an average-sized person. “Being small is not a regular life from a lower-to-the-ground perspective. “It is not being a man in a child’s body,” says Shawn. In fact, it is quite the opposite. Shawn is a young man living in an old man’s body. When he was in his mid-20s a doctor told him he had the bones of an 85-year-old! “Don’t ever think I wouldn’t have liked to be a strapping six-footer with a wife, kids, job. But I am happy in the body I am in’’ Shawn is a singer-songwriter. He’s released 11 CDs in the past 15 years, many of them showcasing his own compositions. Shawn has a number of goals. One is to go on tour, but that may never happen. His health and energy limit him. He finds it difficult to play two nights in a row – even sleeping in his own bed each night. Another is to be independent – busking in 2007 took him closer to that goal. Yet another is to have others read his story and be inspired to reach their full potential. This book could achieve that!

"The Lives of Dwarfs is extraordinary in its range and vision. Beautifully written. Totally absorbing."--Ursula Hegi, author of Stones from the River "As a little person, husband, and father of a little person, I dream of the day when dwarfs attain full acceptance in society. The Lives of Dwarfs provides a giant step in that direction."--Rick Spiegel, former president of Little People of America "This important book makes it possible for both average- and short-statured people to challenge our collective understanding of dwarfism as a synonym for diminishment or as an array of cute and evil fairy-tale figures. The libratory work of this book is to invite us all to reimagine dwarfism as a livable experience and tenable way of being in the world."--Rosemarie Garland Thomson, author of Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature "A work of compassionate scholarship. A unique contribution to the literature of physical deformity and social isolation and a gift to the individuals whose personal struggle this is."--Linda Hunt, actor Historically, they have borne the labels "freaks" and "oddities"; they have been collected as pets, displayed as spectacles, and treated as comic relief. Now, for the first time, in this elegant and comprehensive volume, the lives of dwarfs are explored in all their fullness and humanity. Spanning the centuries from ancient Egypt to the present, this unique social history chronicles the various ways this population has been exploited, describes their strategies for coping, and notes the persistent influence of mythology upon perceptions of them by others. The narrative also highlights the lives of eminent individuals and contains a thought-provoking account of the representation and participation of dwarfs in the arts, enhanced by outstanding color photographs. Betty M. Adelson, the mother of a daughter with dwarfism, brings special insight and sensitivity to the research. She traces the widespread mistreatment of dwarfs over the centuries, engendered by their being viewed as curiosities rather than as human beings capable of the same accomplishments as people of average height, and deserving of the same pleasures. For much of their history, dwarfs have resorted to exhibiting themselves: because of social stigma no other employment was available. Only in recent years have short-statured individuals begun to challenge their position in society. Medical advances, new economic opportunities, and disability legislation have led to progress, mainly in Western nations. Advocacy groups have also formed in countries as diverse as Chile, South Korea, and Nigeria. Adelson compares what she refers to as the "small revolution" to similar social and cultural awakenings that women, African Americans, gays and lesbians, and persons with disabilities experienced when they identified themselves as a community with shared goals and obstacles. Written with passion, grace, and the dignity that the subject deserves, The Lives of Dwarfs will not only revolutionize current perceptions about the historically misrepresented dwarf population, but also offer pause for thought on issues of disability, medical treatment, height, beauty, and identity.

Sophie is young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she’s desperate for community and a sense of belonging. She stumbles into what/who she’s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored—of Zena, of the idea of living more righteously—Sophie finds herself swept up in a whirlwind friendship that blows her even further from her rural California roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin, full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you’re meeting new people and learning about the world—when everything feels vital and urgent—The Contradictions is Sophie Yanow’s fictionalized coming-of-age story. Sophie’s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.

A stunning collection of the most iconic photographs ever taken of Black Flag, along with never-before-seen shots and a foreword by Chuck Dukowski. 256 jam-packed pages, over 300 photographs, and over 70% of the photos have never been seen. What I See: The Black Flag Photographs of Glen E. Friedman is an incredible compilation of all of Friedman's most iconic and recognizable images (from 1980 to 1983), of this seminal American punk band, as well as over one hundred never-before-seen photos made during those phenomenal peak years in the group's history. The book includes a foreword by Chuck Dukowski, a cofounder and bass player of Black Flag. Friedman's own introduction to the book takes readers through his journey with the group, from the very first time he saw them play, to his perspectives on the music of the era, to the how, why, and what Black Flag were doing at the time. His words provide additional context to the imagery, explaining what drove him to create his art alongside the band. From the streets around Black Flag's single-room home base/office, rehearsing for their first album, handing out flyers, wheat-pasting posters, driving for hours to a show and returning the same night, house parties, clubs, to the big stage and the beach, Glen E. Friedman was there with his heart, soul, and most importantly his camera. In What I See, he shares with us and inspires us with these images that were made over an incredibly volatile three-year time span.

A series of comic strips by George Herriman which feature the adventures of Krazy and Ignatz.