This book explores the important role that the Korean War played in Turkish culture and society in the 1950s. Despite the fact that fewer than 15,000 Turkish soldiers served in Korea, this study shows that the Turkish public was exposed to the war in an unprecedented manner, considering the relatively small size of the country’s military contribution. It examines how the Turkish people understood the war and its causes, how propaganda was used to ‘sell’ the war to the public, and the impact of these messages on the Turkish public. Drawing on literary and visual sources, including archival documents, newspapers, protocols of parliamentary sessions, books, poems, plays, memoirs, cartoons and films, the book shows how the propaganda employed by the state and other influential civic groups in Turkey aimed to shape public opinion regarding the Korean War. It explores why this mattered to Turkish politicians, viewing this as instrumental in achieving the country’s admission to NATO, and why it mattered to Turkish people more widely, seeing instead a war in the name of universal ideas of freedom, humanity and justice, and comparing the Turkish case to other states that participated in the war.

"This reference provides a review of the academic and popular literature on the relationship between communications and media studies, cinema, advertising, public relations, religion, food tourism, art, sports, technology, culture, marketing, and entertainment practices"--Provided by publisher.

Providing an interdisciplinary look at Greece’s Muslim minority and migrant communities, this book provides an exhaustive legal analysis of regulations and broadens our understanding of the political management of ethnic and religious otherness, while placing these phenomena in historical context.

An ethnographic exploration of the meaning of national citizenship in the context of globalization The American Passport in Turkey explores the diverse meanings and values that people outside of the United States attribute to U.S. citizenship, specifically those who possess or seek to obtain U.S. citizenship while residing in Turkey. Özlem Altan-Olcay and Evren Balta interviewed more than one hundred individuals and families and, through their narratives, shed light on how U.S. citizenship is imagined, experienced, and practiced in a setting where everyday life is marked by numerous uncertainties and unequal opportunities. When a Turkish mother wants to protect her daughter's modern, secular upbringing through U.S. citizenship, U.S. citizenship, for her, is a form of insurance for her daughter given Turkey's unknown political future. When a Turkish-American citizen describes how he can make a credible claim of national belonging because he returned to Turkey yet can also claim a cosmopolitan Western identity because of his U.S. citizenship, he represents the popular identification of the West with the United States. And when a natural-born U.S. citizen describes with enthusiasm the upward mobility she has experienced since moving to Turkey, she reveals how the status of U.S. citizenship and "Americanness" become valuable assets outside of the States. Offering a corrective to citizenship studies where discussions of inequality are largely limited to domestic frames, Altan-Olcay and Balta argue that the relationship between inequality and citizenship regimes can only be fully understood if considered transnationally. Additionally, The American Passport in Turkey demonstrates that U.S. global power not only reveals itself in terms of foreign policy but also manifests in the active desires people have for U.S. citizenship, even when they do not intend to live in the United States. These citizens, according to the authors, create a new kind of empire with borders and citizen-state relations that do not map onto recognizable political territories.

This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated. The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.