The Kinsey Institute's pioneering work in the field of sex research resulted in a collection of over 75,000 photos and graphic illustrations, including numerous anonymous snapshots. For the first time, the public can get a peek of this rich visual resource of sexual imagery, discussed in historical context by four scholars. 40 color, 85 duotone photos.

In this #1 New York Times bestseller in Sue Grafton's Alphabet series, private investigator Kinsey Millhone has her hands full when a job that should be easy money takes a turn for the worse. Reba Lafferty was a daughter of privilege, the only child of an adoring father. Nord Lafferty was already in his fifties when Reba was born, and he could deny her nothing. Over the years, he quietly settled her many scrapes with the law, but wasn't there for her when she was convicted of embezzlement and sent to the California Institution for Women. Now, at thirty-two, she's about to be paroled, having served twenty-two months of a four-year sentence. Her father wants to be sure Reba stays straight, stays home and away from the drugs, the booze, and the gamblers... It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the niceties of her parole. Maybe a week’s work. Nothing untoward—the woman seems remorseful and friendly. And the money is good. But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling round...

Alfred C. Kinsey's revolutionary studies of human sexual behavior are world-renowned. His meticulous methods of data collection, from comprehensive entomological assemblies to personal sex history interviews, raised the bar for empirical evidence to an entirely new level. In The Classification of Sex, Donna J. Drucker presents an original analysis of Kinsey's scientific career in order to uncover the roots of his research methods. She describes how his enduring interest as an entomologist and biologist in the compilation and organization of mass data sets structured each of his classification projects. As Drucker shows, Kinsey's lifelong mission was to find scientific truth in numbers and through observation—and to record without prejudice in the spirit of a true taxonomist. Kinsey's doctoral work included extensive research of the gall wasp, where he gathered and recorded variations in over six million specimens. His classification and reclassification of Cynips led to the speciation of the genus that remains today. During his graduate training, Kinsey developed a strong interest in evolution and the links between entomological and human behavior studies. In 1920, he joined Indiana University as a professor in zoology, and soon published an introductory text on biology, followed by a coauthored field guide to edible wild plants. In 1938, Kinsey began teaching a noncredit course on marriage, where he openly discussed sexual behavior and espoused equal opportunity for orgasmic satisfaction in marital relationships. Soon after, he began gathering case histories of sexual behavior. As a pioneer in the nascent field of sexology, Kinsey saw that the key to its cogency was grounded in observation combined with the collection and classification of mass data. To support the institutionalization of his work, he cofounded the Institute for Sex Research at Indiana University in 1947. He and his staff eventually conducted over eighteen thousand personal interviews about sexual behavior, and in 1948 he published Sexual Behavior in the Human Male, to be followed in 1953 by Sexual Behavior in the Human Female. As Drucker's study shows, Kinsey's scientific rigor and his early use of data recording methods and observational studies were unparalleled in his field. Those practices shaped his entire career and produced a wellspring of new information, whether he was studying gall wasp wings, writing biology textbooks, tracing patterns of evolution, or developing a universal theory of human sexuality.

The Sue Grafton Collection: The Kinsey Millhone Novels (Books A-O in the Alphabet mystery series) The first 15 books in Sue Grafton's Kinsey Millhone mysteries are now available in one collection! From the sensational blockbuster A is for Alibi to the thrilling case in O is for Outlaw, you won't want to miss a page! "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw

"wildflowers" is the first collection of 400+ poems from Katherine Henson, penning as k.e., where she uses her love of words to share her heart about love, growth, loss, and hope. This book is for you, and I hope you will see that these words were never mine to keep, but yours to find. I have been writing these words for you all along. Through the pain and love, the valleys and peaks. This title is probably deceiving. I had the hopes that all my words would be soft and gentle and kind, but my words knew better. They knew that truth is often painful, broken, and a little angry. But wildflowers, for me, stand for something spectacular. Look at them! Wherever their roots can be, they grow, grow, grow. I want to be that. I want to be tore down by life and have my seeds and roots, my soul and body, still trusting enough to find home again. I want that kind of wild. So maybe the title is good. Maybe the wildflowers understand it more than any of us. We must rebuild. I just want you to remember something, remember that life is pretty dang hard, and trying to navigate against those odds is a tough task. So be good to yourself, love yourself like crazy, and take every single thing that life gives you - good and not so good. It is all a part of it, and it all a part of your story, of you. So here is to love, and growing, and loss, and hope. P.S. None of these words are complete, and well, that is just how it goes sometimes; you will find that some of these pages have no ending, and if you come upon one you feel unfinished, know that it was always meant for you... and finish it.

"In 2001 the BLK/MRKT Gallery was created as a way present emerging design talent as well as compelling urban art and fine art. BLK/MRKT's remarkable selection of artists and its professional approach have largely contributed to the increased reputation of Street Art, its transition into museums and galleries and the global acceptance of Urban Art as a leading contemporary art form. BLK/MRKT ONE presents the gallery's artists and their work, including both up and coming and established urban and contemporary artists such as Deanne Cheuk, WK Interact, Dave Kinsey, Bask, Evan Hecox, Marioni Lane and many more. This book is a 'who's who' of the scene and is characterized by the rich variety of styles and visual idioms, its celebration of rising masters and the promise of discovery. BLK/MRKT Gallery branched out from BLK/MRKT which was founded by contemporary artist and accomplished designer Dave Kinsey in 1996 in order to bring alternative art to the public and to help close the gap between visual communication, marketing and youth culture. Both BLK/MRKT and BLK/MRKT Gallery's strength and success lie in their understanding and dedication in continuing to bring alternative works of art to the public."--Publisher's description.