City blue laws drove the liquor trade and its customers—hard-drinking lumberjacks, pensioners, farmhands, and railroad workers—into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city’s Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood’s last days through photographs and film of his clientele. The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich’s death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich’s stories re-create the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis’s most intriguing figures—spinning some of its most enduring and enthralling tales.

Skid Road tells the story of Seattle “from the bottom up,” offering an informal and engaging portrait of the Emerald City’s first century, as seen through the lives of some of its most colorful citizens. With his trademark combination of deep local knowledge, precision, and wit, Murray Morgan traces the city’s history from its earliest days as a hacked-from-the-wilderness timber town, touching on local tribes, settlers, the lumber and railroad industries, the great fire of 1889, the Alaska gold rush, flourishing dens of vice, the 1919 general strike, the 1962 World’s Fair, and the stuttering growth of the 1970s and ’80s. Through it all, Morgan shows us that Seattle’s one constant is change and that its penchant for reinvention has always been fueled by creative, if sometimes unorthodox, residents. With a new introduction by Pulitzer Prize-winning book critic Mary Ann Gwinn, this redesigned edition of Murray Morgan’s classic work is a must for those interested in how Seattle got to where it is today.

Brother's Keeper -- Skid Road -- The Sisters -- Ark of Refuge -- Shacktown -- Threshold -- State of Emergency -- Epilogue.

18 And Life on Skid Row tells the story of a boy who spent his childhood moving from Freeport, Bahamas to California and finally to Canada and who at the age of eight discovered the gift that would change his life. Throughout his career, Sebastian Bach has sold over twenty million records both as the lead singer of Skid Row and as a solo artist. He is particularly known for the hit singles I Remember You, Youth Gone Wild, & 18 & Life, and the albums Skid Row and Slave To The Grind, which became the first ever hard rock album to debut at #1 on the Billboard Top 200 and landed him on the cover of Rolling Stone magazine. Bach then went on to become the first rock star to grace the Broadway stage, with starring roles in Jekyll & Hyde,Jesus Christ Superstar and The Rocky Horror Picture Show. He also appeared for seven seasons on the hit television show The Gilmore Girls. In his memoir, Bach recounts lurid tales of excess and debauchery as he toured the world with Bon Jovi, Aerosmith, Motley Crue, Soundgarden, Pantera, Nine Inch Nails and Guns N’ Roses. Filled with backstage photos from his own personal collection, 18 And Life on Skid Row is the story of hitting it big at a young age, and of a band that broke up in its prime. It is the story of a man who achieved his wildest dreams, only to lose his family, and then his home. It is a story of perseverance, of wine, women and song and a man who has made his life on the road and always will. 18 And Life On Skid Row is not your ordinary rock memoir, because Sebastian Bach is not your ordinary rock star.

The street racer meets the shy librarian. Luke grew up on the wrong side of the tracks, but that never stopped him from making his dreams a reality. When Violet stumbles into his shop, Luke knows he’s met his match. But Violet isn’t like most girls. She’s sheltered and quiet, content to live in the world provided by the books she loves so much. Both ruled by the lessons of their pasts, will their relationship ever get a chance at a future?

“Karlen offers a colorful and impressively researched account of the Minneapolis underworld and his fascinating relative that feels right out of Damon Runyon’s Guys and Dolls.” Star Tribune “Deliciously snappy.” American Jewish World “Karlen brings back the days when Peggy Lee walked into Augie’s straight off the bus from North Dakota, when mid-century celebrities like Frank Sinatra visited Hennepin Avenue, and when the most powerful crime lords in the land checked their guns at the door when they visited Augie’s.” MinnPost “Augie’s Secrets is filled with stunning, stylish prose that captures the flavor of the Jewish underworld of downtown Minneapolis down to its last rubout and pastrami sandwich.” Paul Maccabee, author of John Dillinger Slept Here: A Crooks’ Tour of Crime and Corruption in St. Paul, 1920–1936

The 20th century's greatest poet was a guy from L.A. called Hank, who talked straight, drank hard, faced truth, and exposed beauty and vulnerability like no other in his place and time. Drinking with Bukowski is a celebration of that utterly original voice featuring contributions from everyone from the women who loved him to the Hollywood cognoscenti who courted him, from writers who admired him and actors who tried to emulate him to the barflies, strippers, gangsters, poets, crazies, and dreamers who knew him: Raymond Carver, Wanda Coleman, Harold Norse, Michael C. Ford, and Paul Vangelisti pay homage and recount the Dionysian days of L.A. poetry; record producer Harvey Robert Kubernik and journalist Barry Miles remember capturing Buk on vinyl for the first time; novelist Steve Abee remembers the early days of L.A.'s underground newspapers - Open City and the L.A. Free Press - Bukowski's early stomping grounds.