A MASTERWORK OF INTERNATIONAL INTRIGUE SET IN THE ASHES OF WAR-TORN IRAQ, ITALY, AND AREAS IN BETWEEN. Richard House's The Kills is an epic novel of crime and conspiracy told in four books. It begins with a man on the run and ends with a burned body. Moving across continents, characters, and genres, there will be no more ambitious or exciting novel published this year.

A single-volume release of an acclaimed four-part Guardian Best Book of the Year follows the experiences of a man on the run from a conspiracy that takes him from the ashes of war-torn Iraq through multiple continents into Italy.

After four critically acclaimed albums and nine years on the road, The Kills members Alison Mosshart and Jamie Hince announce Dream and Drive, a portrait of the band's career by their lifelong friend and collaborator Kenneth Cappello. Having sold nearly 200,000 copies of their four albums combined, the U.K. duo is now internationally known for its unique blend of pop, blues and punk. Dream and Drive captures Alison and Jamie in their most playful, private, intense and intimate moments, both onstage and off, and is full of the high-energy punk vibe found in much of Cappello's work. Limited stock available.

Manhattan Assistant D.A. Alexandra Cooper is working feverishly on a tough trial, seeking justice for investment banker Paige Vallis. But in a heated "he said, she said" case, Alex learns that Paige herself has something to hide. Uptown, the murder of an elderly woman with an intriguing past has NYPD officer Mercer Wallace and detective Mike Chapman hunting for an item of stunning value that may have cost McQueen Ransome her life: a legendary Double Eagle gold coin. The twisting threads of the seemingly unrelated tragedies soon entangle Alex in a life-and-death struggle in the watery inlets of New Jersey known as the Kills...where a violent predator is determined to silence her forever.

Feeling All the Kills is a dazzling new collection that breaks the poet’s silence on what it means to experience and live in the wake of a violent assault and rape. Calcutt weaves stunning musicality with raw, unhindered storytelling, as the poems both collectively, and in their individual power, explore the distinctly connected, yet fractured selves of ‘sexual being’, ‘mother’ and ‘abused person’. Through the poems’ breathtaking and vital vocabulary Calcutt brings the physical, emotional, and sexual nuances of life to the foreground, with strength, subtlety and beauty, and courageously harnesses a sense of ownership over such a lasting trauma. At the heart of this collection is a personal desire to navigate a way back to a sensual, whole-feeling self, to shamelessly ‘feel all’ -- with authenticity and power.

Investigative reporter Jillian Carter knows it's time to put the past to rest. She's tired of looking over her shoulder, letting a killer go free. She's no longer the scared kid who changed her name and disappeared. Now, no matter what the cost, Jillian must do what she is trained to do--ferret out the truth and expose it. Senator Frank Hoffman committed murder ten years ago--and Jillian watched it happen. Didn't she? Not even the enigmatic and attractive Colton Brady, her ex-boyfriend and nephew of the killer, will be able to make her leave this alone. Get ready for the spine-tingling, nail-biting conclusion to an explosive series.

'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and Fire of Court, this is the first instalment in the acclaimed Lydmouth series Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'The most under-rated crime writer in Britain today' Val McDermid 'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling'The Times 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out 'Andrew Taylor is a master story-teller' Daily Telegraph