As the founder and president of Life Partners, a renowned discipleship ministry, bestselling author Ken Nair has discipled more than five hundred men in how to become more Christlike husbands--all of whom have experienced renewal and restoration in their relationships. Now, he's here to help you do the same. Drawing from stories from his own marriage, as well as the journeys of countless husbands whose marriages were dissolving, Nair reveals major roadblocks in life and in marriage. As you learn more about your spouse in Discovering the Mind of a Woman, you'll gain the tools you need to: Experience God in your marriage Truly meet the needs of your spouse Become a spiritual leader within your marriage What follows within the pages of Discovering the Mind of a Woman are life-changing concepts that won't just revive a marriage, they'll change your perspective forever. Praise for Discovering the Mind of a Woman: "I am glad for this book. After fifty-five years of Christian marriage, I find thoughts here that will help me be more thoughtful of my wife's needs. It has helped me understand why and how she thinks differently than I do about so many things. A husband, as this book points out, is to live with and love his wife with understanding. This change in a husband and the consequent response by a wife result in life-changing home life, and together radiate to many others, for the glory of Christ." --Kenneth N. Taylor, translator of The Living Bible

"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.

In 1839, Emily's husband vanishes from an isolated island off the coast of Key West where he tends to the lighthouse. Emily takes charge of the lighthouse to support her three children. But unexpected help arrives when a runaway slave washes up on their beach.

The hero of the story gets the opportunity to gain power over any woman. It is enough just to pronounce a special spell. True, this action is accompanied by some, not very convenient, reservations. The hero enjoys the power given to him by women, but suddenly he turns from a hunter into a game.