Four children find a magic way to go back into the time of Ivanhoe and Robin Hood.

Jason's sisters get all the attention-and cause him all sorts of trouble. His older sister, Tayleigh, once made a wish that got her suspended from the dance team, and then Jason had to move to a new middle school. His twin, Polly, also made a wish which almost ruined the family vacation when she started hearing and seeing Thomas Jefferson's ghost everywhere. Jason can't wait to get away for a bit, and lucky for him, he gets to go on a band trip to the happiest place on earth! Along with his big brother, Bryant, and his best friend, Scooter, Jason is headed to a special theme park in Florida. Away from his family, Jason will be free of drama and the strange magic that surrounds his sisters. But then he makes a mistake of his own: he wishes for the truly magical experience. Miraculously, he is given the Key to the Kingdom, and he befriends a young woman whose family helped develop the theme park. Jason soon begins to realize that things are coming much too easily, and the wish comes back to haunt him. In a family filled with fulfilled fantasies, did he really think he would be any different? Jason remembers what his big sister said after her wish: "Be careful what you wish for." He and his friends must now figure out how to solve a mystery and make it safely home no worse for wear!

In Counterlife Christopher Freeburg poses a question to contemporary studies of slavery and its aftereffects: what if freedom, agency, and domination weren't the overarching terms used for thinking about Black life? In pursuit of this question, Freeburg submits that current scholarship is too preoccupied with demonstrating enslaved Africans' acts of political resistance, and instead he considers Black social life beyond such concepts. He examines a rich array of cultural texts that depict slavery—from works by Frederick Douglass, Radcliffe Bailey, and Edward Jones to spirituals, the television cartoon The Boondocks, and Quentin Tarantino's Django Unchained—to show how enslaved Africans created meaning through artistic creativity, religious practice, and historical awareness both separate from and alongside concerns about freedom. By arguing for the impossibility of tracing slave subjects solely through their pursuits of freedom, Freeburg reminds readers of the arresting power and beauty that the enigmas of Black social life contain.

We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

The most trilling part about this is when I get pulled over on the other side of the rainbow by in archangel and the Angel said to me for you have asked and we are here to lead you on the right pathway to the Kingdom of the most high host. And the land were abundant and his beauty. And the appearing of the most beautiful bright light I ever seen pulled me in a dimensional journey. Where there is all beauty of waterfalls and mountains and flowers and trees in the land this is where I befriend the three Giants Abraham and Nora an John they were great builders of this land where they built castles bridges and also made a time travel digital disc with the ability to transform energy of technical technology intelligence laser light thrown into the Earth atmosphere an underneath the foundation to make the foundation of the earth stronger to withstand technology by the two great mountains that stand in great heights. And the time travel had the ability to plant the good seed in the poorest countries for the soil to reproduce and for the foundations of the water to flow to every country the abundant were sent from the hidden mystery promises land of Paradise and there were great healings all over the world for the Peoples from the hand of Jesus Christ.