From the New York Times bestselling author of The Monopolists, the "fascinating" (People) story of Olympian Kevin Hall and the syndrome that makes him believe he stars in a television show of his life. Meet Kevin Hall: brother, son, husband, father, and Olympic sailor. Kevin has an Ivy League degree, a winning smile, and throughout his adult life, he has been engaged in an ongoing battle with a person that doesn't exist to anyone but him: the Director. In the tradition of Kay Redfield Jamison's An Unquiet Mind, journalist and NYT bestselling author Mary Pilon's The Kevin Show reveals the many-sided struggle--of Kevin, his family, and the medical profession--to understand and treat a psychiatric disorder whose euphoric highs and creative ties to pop culture have become inextricable from Kevin's experience of himself. Kevin suffers from what doctors are beginning to call the "Truman Show" delusion, a form of bipolar disorder named for the 1998 movie in which the main character realizes he is the star of a reality TV show. When the Director commands Kevin to do things, the results often lead to handcuffs, hospitalization, or both. Once he nearly drove a car into Boston Harbor. His girlfriend, now wife, was in the passenger seat. Interweaving Kevin's perspective--including excerpts from his journals and sketches--with police reports, medical records, and interviews with those who were present at key moments in his life, The Kevin Show is a bracing, suspenseful, and eye-opening view of the role that mental health plays in a seemingly ordinary life.

The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.

The Monopolists reveals the unknown story of how Monopoly came into existence, the reinvention of its history by Parker Brothers and multiple media outlets, the lost female originator of the game, and one man's lifelong obsession to tell the true story about the game's questionable origins. Most think it was invented by an unemployed Pennsylvanian who sold his game to Parker Brothers during the Great Depression in 1935 and lived happily--and richly--ever after. That story, however, is not exactly true. Ralph Anspach, a professor fighting to sell his Anti-Monopoly board game decades later, unearthed the real story, which traces back to Abraham Lincoln, the Quakers, and a forgotten feminist named Lizzie Magie who invented her nearly identical Landlord's Game more than thirty years before Parker Brothers sold their version of Monopoly. Her game--underpinned by morals that were the exact opposite of what Monopoly represents today--was embraced by a constellation of left-wingers from the Progressive Era through the Great Depression, including members of Franklin Roosevelt's famed Brain Trust. A gripping social history of corporate greed that illuminates the cutthroat nature of American business over the last century, The Monopolists reads like the best detective fiction, told through Monopoly's real-life winners and losers.

Like its 2006 predecessor, America Has Talent/Against the Grain, the 2020 book now in your hands. goes deep into the absurdly comical-yet-disturbing world of televangelical confidence games. It rips open the hypocrisy of such “giants” of the field as Jim Bakker, the disgraced (though back for another payday) “minister” who originally set the stage for Tammy Faye Bakker’s stardom ­ an enterprise that backfired on him eventually -and who isn’t averse to backstage-groping a boy or two as he tries with a new broadcast partner to recapture the lightning of those days when melting mascara and hankie-wringing lured viewers to send in those donation they likely couldn’t really afford.