THE KEMPTON-WACE LETTERS BY JACK LONDON AND ANNA STRUNSKY The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's” KEY FEATURES OF THIS BOOK · Unabridged reprint of the original content · Available in multiple formats: eBook, original paperback, large print paperback, hardcover and audiobook · Proper paragraph formatting with Indented first lines and Justified Paragraphs · Properly formatted for aesthetics and ease of reading. · Custom Table of Contents and Design elements for each chapter · The Copyright page has been placed at the end of the book, as to not impede the content and flow of the book. ABOUT THE BOOK: Original publication: 1903 Book 4 of 22 Chapters 39 Words: 47,000 This book is great for schools, teachers and students or for the casual reader, and makes a wonderful addition to any classic literary library ABOUT US: At Pure Snow Publishing we have taken the time and care into formatting this book to make it the best possible reading experience. With more than 500 book listings, we specialize in publishing classic books and have been publishing books since 2014. Enjoy!

This eBook features the unabridged text of ‘The Kempton-Wace Letters’ from the bestselling edition of ‘The Complete Works of Jack London’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of London includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Kempton-Wace Letters’ * Beautifully illustrated with images related to London’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Yesterday I wrote formally, rising to the occasion like the conventional happy father rather than the man who believes in the miracle and lives for it. Yesterday I stinted myself. I took you in my arms, glad of what is and stately with respect for the fulness of your manhood. It is to-day that I let myself leap into yours in a passion of joy. I dwell on what has come to pass and inflate myself with pride in your fulfilment, more as a mother would, I think, and she your mother. But why did you not write before? After all, the great event was not when you found your offer of marriage accepted, but when you found you had fallen in love. Then was your hour. Then was the time for congratulation, when the call was first sounded and the reveille of Time and About fell upon your soul and the march to another's destiny was begun. It is always more important to love than to be loved. I wish it had been vouchsafed me to be by when your spirit of a sudden grew willing to bestow itself without question or let or hope of return, when the self broke up and you grew fain to beat out your strength in praise and service for the woman who was soaring high in the blue wastes. You have known her long, and you must have been hers long, yet no word of her and of your love reached me. It was not kind to be silent. Barbara spoke yesterday of your fastidiousness, and we told each other that you had gained a triumph of happiness in your love, for you are not of those who cheat themselves. You choose rigorously, straining for the heart of the end as do all rigorists who are also hedonists. Because we are in possession of this bit of data as to your temperamental cosmos we can congratulate you with the more abandon. Oh, Herbert, do you know that this is a rampant spring, and that on leaving Barbara I tramped out of the confines into the green, happier, it almost seems, than I have ever been? Do you know that because you love a woman and she loves you, and that because you are swept along by certain forces, that I am happy and feel myself in sight of my portion of immortality on earth, far more than because of my books, dear lad, far more? I wish I could fly England and get to you. Should I have a shade less of you than formerly, if we were together now? From your too much green of wealth, a barrenness of friendship? It does not matter; what is her gain cannot be my loss. One power is mine, -without hindrance, in freedom and in right, to say to Ellen's son, "Godspeed!" to place Hester Stebbins's hand in his, and bid them forth to the sunrise, into the glory of day! Ever your devoted father,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.