Originally published in 1925, Christian D. Ginsburg examines the origins of the system of religious philosophy, the Kabbalah, and its influence on Judaism. Ginsburg also explores the ways in which academics have approached the Kabbalah, with a detailed timeline of their findings.

Originally published in 1925, Christian D. Ginsburg examines the origins of the system of religious philosophy, the Kabbalah, and its influence on Judaism. Ginsburg also explores the ways in which academics have approached the Kabbalah, with a detailed timeline of their findings.

A subject of perennial study and the focus of a recent surge of popular interest, Kabbalah is an ancient Jewish doctrine of esoteric knowledge concerning God, creation, and nature. This essential guide was written by one of the most influential figures in modern occultism. And unlike lesser works, it focuses on the actual sacred texts to offer an objective, reliable interpretation. The Kabbalah Unveiled explores three important books of the Zohar or "Splendor": "The Book of Concealed Mystery," the book of equilibrium or balance, concerning the central point, at which rest succeeds motion; "The Greater Holy Assembly"; and "The Lesser Holy Assembly." Together, these three books examine the gradual development of the creative deity, and of creation itself. Author S. L. MacGregor Mathers, a founder of the Hermetic Order of the Golden Dawn, presents his exegesis in a clear and scholarly style. Three fold-out charts enhance this volume's value as a tool for understanding the Kabbalah and enjoying the benefits of its teachings.

An account of Kabbalah and its impact outside of Judaism offers a concise and highly accurate look at the history and character of the various systems developed by the adherents of the Kabbalah.

Since the 1960s, the literary critic Harold Bloom has been producing some of the most powerful criticism in the United States. This large body of work has, since the publication of The Anxiety of Influence in 1973, increasingly distanced itself from all critical vogues, be they psychoanalytic, post-structuralist or new formalist, in favour of a highly idiosyncratic poetic theory. First published in 1988, this title was the first to engage with this unique approach in order to extend and amplify its most crucial insights about the nature of rhetoric, as it functions both in poetry and in poetic theory. The underlying argument is for a historical conception of rhetoric, for an extension of Bloom’s ‘diachronic rhetoric’ towards historical rhetoric.