Warp & Weave Your Way to Fiber Craft Prowess The weaving game just got a whole lot more vibrant. Beginners will love the easy-to-follow approach and bright, cheerful style of weaver extraordinaire and instructor Jen Duffin. With Jen’s expert direction, you’ll go from learning to warp your loom and weaving basic stitches to creating colorful, professional-quality tapestries in 12 step-by-step projects. Learn essential—and fun—techniques with the classic Party Weave, then experiment with unconventional materials with Into the Wild Weave or the bubbly Sunset Gradient Weave. Try your hand at unique color blocking with Rainbow Plaid, or play with shape with a circular loom in Cloudy with a Chance of Rainbows. Each project helps you build your skills and confidence as a weaver and results in bold, colorful pieces that are sure to brighten up your home. Through these projects, Jen will expand your realm of weaving possibilities, so you’ll be on your way to warping, weaving and displaying your treasured wall art in no time.

This is the first paperback edition of a manual well known to weavers for its great thoroughness, clarity, and value to beginning and professional weavers alike. The author has drawn upon many years of experience as a teacher and writer in preparing this practical text of basic weaving techniques and projects from the simplest to the extremely complex. Each topic of weaving theory and technique is presented with its practical applications in mind. Within the first thirty pages, readers learn enough to complete their first weaving project, a bookmark, and this leads directly to the weaving of rugs on a loom, the process of weaving on a two-harness loom, threading plain weave from a draft, making a two-harness table loom (readers following the clear diagram and instructions will have no trouble building the loom), preparing the weft, handling of threads, two-harness design methods, the weaving of rag rugs in plain weave, useful articles woven with striped warps and wefts, tapestry techniques, and design weaves. For advanced weavers, the second major section of the book covers a great variety of weaves for the four-harness loom and related information: how to warp and thread a four-harness loom, weaving both plain and pattern weave, the twill family of weaves and herringbone variations, the principles of overshot pattern weaving, the diamond or cross family, the monk's belt pattern and its uses, practical overshot patterns, designing drafts and special techniques, ways of weaving overshot, special four-harness techniques (summer and winter weave, the Bronson weave, the M's and O's weave, the crackle weave, the waffle weave, matta technique, syncopation, double weaving on a four-harness loom). The author then details multi-harness weaves such as multi-harness twill, eight-harness damask design, and several others. Then follow discussions of the uses of color in weaving designs, planning borders, the various draft notations (European and American), weaving with synthetic fibers, thread sizes, counts and yardage, and costs of handwoven fabrics. There is a thread chart of warp settings and suitable wefts. A final chapter gives instructions for making several projects from hand-woven fabrics (a folder for linens, a small ornamental box, jackets and suits, and others). The text is fully illustrated throughout with photographs and labelled diagrams.

This comprehensive guide to floor loom weaving begins with the basics—parts of the loom, how to wind your warp and dress your loom; how to read and weave drafts—but then goes so much farther, explaining the different types of weaves and how to read and weave from charts, and exploring a variety of weaves in depth. The author covers each topic in detail, with illustrations, photos, and charts to guide you. The first half of the book is devoted to the basics of weaving, and the second part teaches a variety of weave structures and how to use them and adapt them to whatever you want to make. The Art of Weaving is extensive in its scope, and a reference book appropriate for all skill levels. * Preparing your yarn and threading your floor loom * Understanding and working from drafts * Exploring weave structures * Finishing * Troubleshooting

Lucid text and 1,875 illustrations offer a thorough survey of the field, from simple draft and plain weaves to more complicated fancy weaves. Coverage includes irregular, double-stitched, and filling satins; basket and rib weaves; steep, undulating, broken, offset, corkscrew, interlocking, herringbone, and fancy twills; honeycomb and lace weaves; and hundreds more.

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Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.