Presents a radical new reading of how Christian history was rewritten in the fourth century to suit its circumstances under Rome.

This “amusing and elegantly written” romp takes readers on a wild ride through the life of Robert Parkin Peters (The New York Times Book Review)—a liar, bigamist, and fraudulent priest who tricked some of the brightest minds of his generation. One day in November 1958, the celebrated historian Hugh Trevor–Roper received a curious letter. It was an appeal for help, written on behalf of a student at Magdalen College, with the unlikely claim that he was being persecuted by the Bishop of Oxford. Curiosity piqued, Trevor–Roper agreed to a meeting. It was to be his first encounter with Robert Parkin Peters: plagiarist, bigamist, fraudulent priest, and imposter extraordinaire. The Professor and the Parson is a witty and charming portrait of eccentricity, extraordinary narcissism, and a life as wild and unlikely as any in fiction. Motivated not by money but by a desire for prestige, Peters lied, stole, and cheated his way to academic positions and religious posts from Cambridge to New York. Frequently deported, and even more frequently discovered, he left a trail of destruction including seven marriages (three of which were bigamous) and an investigation by the FBI. "I was captivated from start to finish by this utterly mad, and wholly delightful story of chicanery and fantasy, and which involves a man who relentlessly duped our most cherished institutions of godly pursuit and higher learning. Plus I learned how to defrock a priest, always good to have on hand in these troubling times." —Simon Winchester, author of The Perfectionists

"highly entertaining and informative... This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it."—The Spectator "as comprehensive a guide as anyone could wish to the appearances of the Evil One in art and literature throughout the age."—The Herald

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Explores the emergence of African Methodism within the black Atlantic and how it struggled to sustain its liberationist identity.

"They bring three charges against us: atheism, Thyestean banquets, and Oedipean unions." So a late second-century Christian Apologist wrote with reference to his critics. Against these and other charges the Apologists rallied. Not so, they maintained. It was not the Christians but their critics who were the atheists and the Christians were the true theists. They were atheists only insofar as they denied the fabricated gods of the cults and the immoral deities of theaters. That, they explained, was why Christians absented themselves, whatever the cost, from the imperial cult, theaters, and amphitheaters. They were not cannibals, as Thyestes was when he ate the flesh of his children. To suggest otherwise was to misunderstand Christians consuming Christ's flesh and blood at the Eucharist. Nor were they imitators of Oedipus, who entered into sexual relations with Jocasta, his Queen and, though he knew it not, also his mother. Christians did exchange the kiss of peace. They did love one another. They were not, however, incestuous. Any promiscuous love on their part extended only to a very practical love of every needy soul. This book explores these arguments, especially noting the Apologists' commitment to God's oneness, to Christians not worshipping anything made, and to humans properly caring for fellow creatures.