Three visionary sci-fi novels from the Hugo Award–winning author whose dystopian prescience made him “one of the most important” (SF Site). British science fiction master John Brunner remains one of the most influential and respected authors of all time, and now many of his classic works are being made available to new generations of readers. The very definition of timeless, Brunner’s skillful and often frightening political and social commentary takes its place alongside the most iconic works of Arthur C. Clarke, Aldous Huxley, Margaret Atwood, and George Orwell. The Sheep Look Up: In a near future of poison air and soaring health hazards, environmentalist Austin Train is on the run—from the insurrectionists who want him to lead and the government that wants him dead, in this Nebula Award Finalist. “An arresting diary of what’s in store for us.” —The Washington Post The Crucible of Time: On a planet hurtling precariously through space, an alien civilization struggles for generations against ice ages and catastrophic meteors while scientists slowly develop the technology that will ultimately save them. “Impeccably detailed, and beautifully thought out, even to the fascinating alien personalities, speech patterns, and thoughts: Brunner in top form.” —Kirkus Reviews, starred review The Jagged Orbit: In this Nebula Award Finalist, a journalist tries to expose the corrupt director of a mental hospital in a dystopian future where drug abuse, organized crime, and the inhumane treatment of anyone deemed “insane” have all but destroyed social order. “One of his most trenchant dystopias, yet it is as irresistible as it is biting.” —SFReviews.net

A collection of 15 stories by one of contemporary science fiction's finest writers.

Three fascinating sci-fi novels from the limitless imagination of the Hugo Award–winning author of the dystopian classic, Stand on Zanzibar. British novelist John Brunner remains “one of the most important science fiction authors . . . [who] held a mirror up to reflect our foibles” (SF Site). Brunner’s skillful and often frightening political and social commentary takes its place alongside the most iconic works of Arthur C. Clarke, Aldous Huxley, Margaret Atwood, and George Orwell. The Wrong End of Time: In a near future, where a paranoid America has sealed itself off from the rest of the world by a vast and complicated defense system, a young Russian scientist infiltrates all defenses to convey terrifying news. At the outer reaches of the solar system, near Pluto, a superior form of intelligent life possesses technology that makes it immune to attack and strong enough to easily destroy planet Earth . . . The Ladder in the Sky: A starving youth, trapped in poverty with no hope of escape, is taken prisoner and offered up in an actual “deal with the devil”—servitude for a year and a day in return for helping a resistance group free their imprisoned planetary leader. When he returns to consciousness, he is told that the devil has taken up residence inside him. At first, he thinks nothing has changed and he can take advantage of the situation, but some upsetting surprises are in store for him . . . The Productions of Time: Murray Douglas has beaten his alcoholism, but he needs an acting job and can’t be selective. He ends up with an improv group at an isolated country estate, where every move is being recorded by unfamiliar technology, and each player’s weakness is constantly prodded and encouraged. Just what is this show? And who is it for?

Under his own name and numerous pseudonyms, John Brunner (1934–1995) was one of the most prolific and influential science fiction authors of the late twentieth century. During his exemplary career, the British author wrote with a stamina matched by only a few other great science fiction writers and with a literary quality of even fewer, importing modernist techniques into his novels and stories and probing every major theme of his generation: robotics, racism, drugs, space exploration, technological warfare, and ecology. In this first intensive review of Brunner's life and works, Jad Smith carefully demonstrates how Brunner's much-neglected early fiction laid the foundation for his classic Stand on Zanzibar and other major works such as The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider. Making extensive use of Brunner's letters, columns, speeches, and interviews published in fanzines, Smith approaches Brunner in the context of markets and trends that affected many writers of the time, including Brunner's uneasy association with the "New Wave" of science fiction in the 1960s and '70s. This landmark study shows how Brunner's attempts to cross-fertilize the American pulp tradition with British scientific romance complicated the distinctions between genre and mainstream fiction and between hard and soft science fiction and helped carve out space for emerging modes such as cyberpunk, slipstream, and biopunk.

THE SHEEP LOOK UP: Environmentalist Austin Train is on the run. The Trainites, environmental activists and sometime terrorists, want him to lead their movement. The government wants him in jail, or preferably, executed. The media wants a circus. Everyone has a plan for Train, but Train has a plan of his own. THE SHOCKWAVE RIDER: Nickie Haflinger had lived a score of lifetimes ... but technically he didn't exist. He was a fugitive from Tarnover, the high-powered government think tank that had educated him. First he had broken his identity code - then he escaped. THE TRAVELLER IN BLACK: This is a collection of stories of the Traveller in Black. It is set in a world where chaos rules. One man - the man with many names, but one nature - is charged with creating order out of the warring forces of nature.