This "100th Birthday Edition" tells the story of Jimmy's family history, his recordings, awards, official appointments and more. And, at last in one place is the story of the historic Rackensack Folklore Society, Arkansas Folk Festival, Ozark Folk Center, Blanchard Springs Caverns, Buffalo National River and the Jimmy Driftwood Barn. This is the most comprehensive book ever written on Jimmy's life and times, his career, music and poetry, and includes the greatest collection ever of historic and exclusive photographs and illustrations-over 40 in all-thanks to the Archives at the University of Central Arkansas, the Grand Ole Opry Museum, Department of Arkansas Heritage, Stone County Historical Society, the Rackensack Folklore Society and many others. The 20-plus pages of "The Life, Career & Legacy of Jimmy Drift-wood" is a compilation of dozens of quotations from individuals, media publications and books from as long ago as 1958. You will not find them anyplace else. We even included a "Driving Tour of the 'Driftwood District'" so you can locate landmarks of his life in the Ozarks.

Collection consists of Jimmy Driftwood record albums, magazine and newspaper articles, photographs, songbooks, and collection of books written by Jimmy Driftwood called The Voice of the Hills. Books 1-8.

Packed with travel information, including listings, deals, and insider tips: CANDID LISTINGS of hundreds of places to eat, sleep, drink, and dance. RELIABLE MAPS of cities, regions, parks, and transportation. All-new THEMED ITINERARIES take you from coast to coast. The INSIDE SCOOP on the best bars, clubs, festivals, and live entertainment. Brand-new AMERICANA COVERAGE highlighting the unique American experience. Thrilling OPPORTUNITIES to study, work, or volunteer. Tips on getting the most out of THE GREAT OUTDOORS.

A traveling salesman with little formal education, Max Hunter gravitated to song catching and ballad hunting while on business trips in the Ozarks. Hunter recorded nearly 1600 traditional songs by more than 200 singers from the mid-1950s through the mid-1970s, all the while focused on preserving the music in its unaltered form. Sarah Jane Nelson chronicles Hunter’s song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter’s own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.