The Jewish Question in German Literature, 1749-1939 is an erudite and searching literary study of the uneasy position of the Jews in Germany and Austria from the first pleas for Jewish emancipation during the Enlightenment to the eve of the Holocaust. Trying to avoid hindsight, and drawing on a wide range of literary texts, Ritchie Robertson offers a close examination of attempts to construct a Jewish identity suitable for an increasingly secular world. He examines both literary portrayals of Jews by Gentile writers - whether antisemitic, friendly, or ambivalent - and efforts to reinvent Jewish identities by the Jews themselves, in response to antisemitism culminating in Zionism. No other study by a single author deals with German-Jewish relations so comprehensively and over such a long period of literary history. Robertson's new work will prove stimulating for anyone interested in the modern Jewish experience, as well as for scholars and students of German fiction, prose, and political culture.

This book examines how modernizing German-speaking cultures, undergoing their own processes of identification, responded to the narcissistic threat posed by the continued persistence of Judentum (Judaism, Jewry, Jewishness) by representing "the Jew"'s body--or rather parts of that body and the techniques performed upon them. Such fetish-producing practices reveal the question of German-identified modernity to be inseparable from the Jewish Question. But Jewish-identified individuals, immersed in the phantasmagoria of such figurations--in the gutter and garret salon, medical treatise and dirty joke, tabloid caricature and literary depiction, church fa ade and bric-a-brac souvenir--had their own question, another Jewish Question. They also had other answers, for these physiognomic fragments not only identified "the Jew" but also became for some Jewish-identified individuals the building blocks for working through their particular situations and relaying their diverse responses. The Other Jewish Question maps the dissemination of and interrelationships among these corporeal signifiers in Germanophone cultures between the Enlightenment and the Shoah. Its analyses of ascribed Jewish physiognomy include tracing the gendered trajectory of the reception of Benedict Spinoza's correlation of Jewish persistence, anti-Semitism, and circumcision; the role of Zopf ("braid") in mediating German Gentile-Jewish relations; the skin(ny) on the association of Jews and syphilis in Arthur Dinter's antisemitic bestseller Sin against the Blood and Adolf Hitler's Mein Kampf; as well as the role of Jewish corporeality in the works of such Jewish-identified authors as Rahel Levin Varnhagen, Heinrich Heine, Karl Marx, Max Nordau, Franz Kafka, and Walter Benjamin, as well as such "Jew"-identifying writers as Ludwig Feuerbach and Daniel Paul Schreber. The Other Jewish Question portrays how Jewish-identified individuals moved beyond introjection and disavowal to appropriate and transform this epidemic of signification to make sense of their worlds and our modernity.

Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in the American and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of the its Center for German and European Studies, addresses these and many other questions. Among its distinguished participants--who numbered over thirty in all--are Peter Demetz (Yale, emeritus), Gesa Dane (Göttingen), Amir Eshel (Stanford), Willi Goetschel (Toronto), Barbara Hahn (Princeton), Susanne Klingenstein (MIT), Christoph König (Deutsches Literaturarchiv, Marbach), Ritchie Robertson (Oxford), Egon Schwarz (Washington University St. Louis, emeritus), Hinrich Seeba (UC Berkeley), Walter Sokel (University of Virginia, emeritus), Frank Trommler (University of Pennsylvania), and many more. The volume includes not only the (revised) essays of the participants but also prepared responses, and transcripts of the panel discussion and dialogue of the participants with members of the audience. STEPHEN D. DOWDEN is professor of German at Brandeis University; MEIKE G. WERNER is assistant professor of German at Vanderbilt University.

'I love the German character more than anything else in the world, and my breast is an archive of German song' So wrote Heinrich Heine in 1824, adding: 'It is likely that my Muse gave her German dress something of a foreign cut from annoyance with the German character'. Here Heine sums up the ambivalent emotions of Jews who felt at home in German culture and yet, even in the age of emancipation, foundGermany less than welcoming. This anthology illustrates the history of Jews in Germany from the eighteenth century, when it was first proposed to give Jews civil rights, to the 1990's and the problems of living after the Holocaust. The texts include short stories, plays, poems, essays, letters anddiary entries, all chosen for their literary merit as well as the light they shed on the relations between Jews in Germany and Austria and their Gentile fellow-citizens. Ritchie Robertson's lucid introduction provides the necessary historical context and his translations make available in Englishin some cases for the first time - both Jewish writers on various aspects of Jewish experience and responses of Gentile writers to the Jews in their midst. Each is introduced by a short illuminating preface.

A new intellectual history that looks at "Jewish self-hatred" Today, the term "Jewish self-hatred" often denotes a treasonous brand of Jewish self-loathing, and is frequently used as a smear, such as when it is applied to politically moderate Jews who are critical of Israel. In On the Origins of Jewish Self-Hatred, Paul Reitter demonstrates that the concept of Jewish self-hatred once had decidedly positive connotations. He traces the genesis of the term to Anton Kuh, a Viennese-Jewish journalist who coined it in the aftermath of World War I, and shows how the German-Jewish philosopher Theodor Lessing came, in 1930, to write a book that popularized "Jewish self-hatred." Reitter contends that, as Kuh and Lessing used it, the concept of Jewish self-hatred described a complex and possibly redemptive way of being Jewish. Paradoxically, Jews could show the world how to get past the blight of self-hatred only by embracing their own, singularly advanced self-critical tendencies—their "Jewish self-hatred." Provocative and elegantly argued, On the Origins of Jewish Self-Hatred challenges widely held notions about the history and meaning of this idea, and explains why its history is so badly misrepresented today.

Now in its second edition, this book takes a fresh, probing look at one of the greatest human tragedies in modern history. Beginning with a detailed overview of the history of the Jews and their two-millennia-old struggle with the anti-Judaic and anti-Semitic prejudice and discrimination that set the stage for the Holocaust, David M. Crowe discusses the evolution of Nazi racial policies, beginning with the development of Adolf Hitler's anti-Semitic ideas, their importance to the Nazi movement in the 1920s and 1930s, and their expanding role in the evolution of German policies leading to the Final Solution in 1941 – the mass murder of Jews throughout Nazi-occupied Europe. The German program involved the creation of death camps like Auschwitz and Treblinka and mass murder sites throughout Eastern Europe and the Soviet Union. While the Jews were the principal victims, other groups who were deemed racial or biological threats to Hitler’s goal of creating an Aryan-pure Europe were also targeted, including the Roma and the handicapped. This book discusses Nazi policies in each country in German-occupied Europe as well as the role of Europe’s neutrals in the larger German scheme-of-things. It also takes an in-depth look at liberation, Displaced Persons, the founding of Israel, and efforts throughout the western world to bring Nazi war criminals and their collaborators to justice. This second edition includes a new chapter on the importance of memory and the Holocaust, the evolution of interpretative Holocaust scholarship and media, recent controversies about national responsibility, and the work of Holocaust museums, archives, and libraries in Israel, Germany, Poland, and the United States to promote Holocaust education and memory. It concludes with the rise of Neo-Nazism, white nationalism, and other movements in Germany and the United States, and their relationship to questions about Holocaust memory and its lessons. Comprehensive and offering a detailed historical perspective, this is the perfect resource for those looking to gain a deep understanding of this tragedy.

Philosemitism, Antisemitism and 'the Jews' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as 'aliens'; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and 'the Jews' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.