A practical guide for jewelers of every skill level. 500+ photographs feature innovative, contemporary pieces. 400+ diagrams reveal their form, structure and processes. In this stunning guide, instruction meets inspiration to create the perfect reference for aspiring and established jewelry artisans. Divided into two sections, the first part covers the various materials and techniques that comprise contemporary jewelry design, including: processes, stones, metals, settings, links, joints, fittings, finishes and enameling. The second part features a directory of shape and form categorized by pieces, such as earrings, bracelets, cufflinks, rings, necklaces, pins, etc. Diagrams describe the methods and designs employed, so artists can learn to apply these principles to their own works.

Arts & Crafts Movement, 1850-1900 - Art Nouveau, 1890-1905 - Machine Aesthetic, 1900-1930 - Art Deco, 1925-1939 - Consumerism and Style, 1935-1955 - Age of Affluence, 1955-1975 - Style now, 1975-

ofp:HII..'rn book-; published from the 16th to the 19th cen· lUrks. while practical expenise emigrated with lluguenot nali:-;men alkr the !{evocation of the Edict of Nantes in 16H'). Other jewelers were invited to work at the reign rulers, and visiting ladies took advantage of their time in Paris to have their jewels rt'set. Although the French Revolution of 17H9 brought this luxwy trade to a standstill, it was triumphantly revived under Napoleon. Even the collapse of the Second Empire in I H70 could not shake it. ·n,e great dynasties of Canit:r, limu:heron, and Chaumet survi\"lxl the disaster unscathed and expanded their empires into the 20th century, setting up branches in Lon· don. New York. Switzerland, and japan. It was from Paris, too, that the pioneers of Art Nouveau and An Deco emerged to generate the ideas which the great jewelers then tr~msf(>nned into r:tshionahle jewels. A-; ;I rt:Slllt of the close connection between the leading jewelers and cou· ture houses. designs have been conceived in harmony with the latestl:tshions in dress; this has contributed to the continuingsuccessofthe French firms in the.post·Second World War peri

The Costume Designer's Handbook is the definitive guide for both aspiring and seasoned costume designers, blending the art and business of theatrical costume design since its inception in 1983. Rosemary Ingham and Liz Covey offer deep insights into play analysis, historical research, collaboration techniques, drafting, and setting up an effective workspace. The book addresses the practicalities of the industry, including job market navigation, freelancing, contracts, and taxes. With over 150 illustrations, an 8-page color insert, and a comprehensive reference section for resources, this handbook encapsulates the essence of costume design, making it an indispensable resource for professionals in the field.

Since its first publication in 1980, The Costume Technician's Handbook has established itself as an indispensable resource in classrooms and costume shops. Ingham and Covey draw on decades of hands-on experience to provide the most complete guide to developing costumes that are personally distinctive and artistically expressive. No other book covers the same breadth of necessary topics for every aspect of costuming, from the basics of setting up a costume shop to managing one and everything in between.

ofp:HII..'rn book-; published from the 16th to the 19th cen· lUrks. while practical expenise emigrated with lluguenot nali:-;men alkr the !{evocation of the Edict of Nantes in 16H'). Other jewelers were invited to work at the reign rulers, and visiting ladies took advantage of their time in Paris to have their jewels rt'set. Although the French Revolution of 17H9 brought this luxwy trade to a standstill, it was triumphantly revived under Napoleon. Even the collapse of the Second Empire in I H70 could not shake it. ·n,e great dynasties of Canit:r, limu:heron, and Chaumet survi\"lxl the disaster unscathed and expanded their empires into the 20th century, setting up branches in Lon· don. New York. Switzerland, and japan. It was from Paris, too, that the pioneers of Art Nouveau and An Deco emerged to generate the ideas which the great jewelers then tr~msf(>nned into r:tshionahle jewels. A-; ;I rt:Slllt of the close connection between the leading jewelers and cou· ture houses. designs have been conceived in harmony with the latestl:tshions in dress; this has contributed to the continuingsuccessofthe French firms in the.post·Second World War peri