An Indian man writes to a Japanese woman. She writes back. Romance blossoms between the two, the pen-friends exchange vows over letters, then spend the next fifteen years as a married couple without ever setting eyes on each other, until the intimacy of words is tested finally by the intimacy of life. Like The Japanese Wife, the other stories in this collection are also about residents and non-residents. In Grateful Ganga, an American rock queen shares her love tunes with a Punjabi businessman even as she mourns her dead husband; in Snakecharmer, a retired Israeli American professor arrives in India with the intention of committing suicide, only to be saved by a snakecharmers daughter. Father Tito, the emigre Yugoslav of Father Titos Onion Rings, is haunted by the Holocaust as he intercedes between Hindu and Muslim rioters. The stories here are about unexpected love and accidental gifts; about finding oneself among strangers; about living elsewhere and living in ones dreams. They parade a full cast of priests, whores, rebels, dead emperors, bush soldiers, poachers, conmen and connoisseurs-angels and demons rubbing shoulders with those whose lives are never quite as ordinary as they seem.

Kaneko Fumiko (1903-1926) wrote this memoir while in prison after being convicted of plotting to assassinate the Japanese emperor. Despite an early life of misery, deprivation, and hardship, she grew up to be a strong and independent young woman. When she moved to Tokyo in 1920, she gravitated to left-wing groups and eventually joined with the Korean nihilist Pak Yeol to form a two-person nihilist organization. Two days after the Great Tokyo Earthquake, in a general wave of anti-leftist and anti-Korean hysteria, the authorities arrested the pair and charged them with high treason. Defiant to the end (she hanged herself in prison on July 23, 1926), Kaneko Fumiko wrote this memoir as an indictment of the society that oppressed her, the family that abused and neglected her, and the imperial system that drove her to her death.

*Finalist for the Pulitzer Prize in Biography* *Winner of the 2020 National Book Critics Circle Award* *Winner of the PEN/Jacqueline Bograd Weld Award for Biography* A “captivating” (The Washington Post) work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. “A compelling story, traced with meticulous detail and told with exquisite sympathy” (The Wall Street Journal), Stranger in the Shogun’s City is “a vivid, polyphonic portrait of life in 19th-century Japan [that] evokes the Shogun era with panache and insight” (National Review of Books).

"My Japanese Wife: A Japanese Idyl" by Clive Holland is a heartfelt memoir that chronicles the author's personal experiences and cultural immersion while living in Japan. With sensitivity and deep introspection, Holland shares his journey of love, cross-cultural understanding, and the challenges he faced as he bridged the gap between two worlds. Through vivid descriptions and intimate reflections, "My Japanese Wife" offers a unique perspective on the intricacies of intercultural relationships and the beauty of embracing diversity. This memoir is a poignant exploration of love, identity, and the transformative power of cross-cultural experiences.

Winner of the Agatha Award. "Sujata Massey blasts her way into fiction with The Salaryman's Wife, a cross-cultural mystery of manners with a decidedly sexy edge."-- Janet Evanonich Japanese-American Rei Shimura is a 27-year-old English teacher living in one of Tokyo's seediest neighborhoods. She doesn't make much money, but she wouldn't go back home to California even if she had a free ticket (which, thanks to her parents, she does.) She's determined to make it on her own. Her independence is threatened however, when a getaway to an ancient castle town is marred by murder. Rei is the first to find the beautiful wife of a high-powered businessman, dead in the snow. Taking charge, as usual, Rei searches for clues by crashing a funeral, posing as a bar-girl, and somehow ending up pursued by police and paparazzi alike. In the meantime, she attempts to piece together a strange, ever-changing puzzle—one that is built on lies and held together by years of sex and deception. The first installment in the Rei Shimura series, The Salaryman's Wife is a riveting tale of death, love, and sex, told in a unique cross-cultural voice.

Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.