Living with the Royal Academy directs attention to the textures of artists' relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.

"The G. Ross Roy Collection of Robert Burns includes fourteen color and fifty-eight black-and-white illustrations as well as an introduction by G. Ross Roy on the history of the collection. In text and images, the catalogue documents a monumental research collection that serves as an open invitation for further investigations into the life, works, and legacy of Scotland's bard."--BOOK JACKET.

Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.

For the first time, the complete stories of the Pulitzer Prize–winning master chronicler of tradition and transformation in the twentieth-century South Born and raised in Tennessee, Peter Taylor was the great chronicler of the American Upper South, capturing its gossip and secrets, its divided loyalties and morally complicated legacies in tales of pure-distilled brilliance. Now, for his centennial year, the Library of America and acclaimed short story writer Ann Beattie present an unprecedented two-volume edition of Taylor’s complete short fiction, all fifty-nine of the stories published in his lifetime in the order in which they were composed. This second volume presents thirty stories including many of his most ambitious works, among them “Dean of Men,” a monologue delivered by a middle-aged father to his long-haired son about the limits of idealism; “In the Miro District,” a parable of the Old South’s enduring persistence in the New; and “The Old Forest,” one of Taylor’s most celebrated works, the story of a young man who jeopardizes his impending marriage by consorting with a girl deemed beneath his station. Here too are all five of Taylor’s remarkable prose poems, stories in free verse that demonstrate that great fiction is, at its highest pitch, a line-by-line, image-by-image high-wire act. Two of the stories in this volume, “A Cheerful Disposition” and “The Megalopolitans,” are collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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