The Itinerant; Or, Memoirs of an Actor ...

The Itinerant; Or, Memoirs of an Actor ...
Title The Itinerant; Or, Memoirs of an Actor ... PDF eBook
Author Samuel William Ryley
Publisher
Pages 334
Release 1808
Genre Actors
ISBN

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The Itinerant

The Itinerant
Title The Itinerant PDF eBook
Author Samuel William Ryley
Publisher
Pages 340
Release 1817
Genre Actors
ISBN

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The Itinerants

The Itinerants
Title The Itinerants PDF eBook
Author Yelena Nesterova
Publisher
Pages 270
Release 1996
Genre Itinerant painters
ISBN

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The Itinerant, Etc

The Itinerant, Etc
Title The Itinerant, Etc PDF eBook
Author Samuel William RYLEY
Publisher
Pages 300
Release 1810
Genre
ISBN

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The Itinerant in Scotland. [A Fictional Account of an Actor's Journey Through Scotland.]

The Itinerant in Scotland. [A Fictional Account of an Actor's Journey Through Scotland.]
Title The Itinerant in Scotland. [A Fictional Account of an Actor's Journey Through Scotland.] PDF eBook
Author Samuel William Ryley
Publisher
Pages 334
Release 1850
Genre
ISBN

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The Itinerant, Or Memoirs of an Actor. Vol. IV[-VI]

The Itinerant, Or Memoirs of an Actor. Vol. IV[-VI]
Title The Itinerant, Or Memoirs of an Actor. Vol. IV[-VI] PDF eBook
Author Samuel William Ryley
Publisher
Pages 334
Release 1816
Genre Actors
ISBN

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Tracing the Itinerant Path

Tracing the Itinerant Path
Title Tracing the Itinerant Path PDF eBook
Author Caitilin J. Griffiths
Publisher University of Hawaii Press
Pages 233
Release 2016-10-31
Genre Religion
ISBN 0824859391

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Women have long been active supporters and promoters of Buddhist rituals and functions, but their importance in the operations of Buddhist schools has often been minimized. Chin’ichibō (?–1344), a nun who taught male and female disciples and lived in her own temple, is therefore considered an anomaly. In Tracing the Itinerant Path, Caitilin Griffiths’ meticulous research and translations of primary sources indicate that Chin’ichibō is in fact an example of her time—a learned female who was active in the teaching and spread of Buddhism—and not an exception. Chin’ichibō and her disciples were jishū, members of a Pure Land Buddhist movement of which the famous charismatic holy man Ippen (1239–1289) was a founder. Jishū, distinguished by their practice of continuous nembutsu chanting, gained the support of a wide and diverse populace throughout Japan from the late thirteenth century. Male and female disciples rarely cloistered themselves behind monastic walls, preferring to conduct ceremonies and religious duties among the members of their communities. They offered memorial and other services to local lay believers and joined itinerant missions, traveling across provinces to reach as many people as possible. Female members were entrusted to run local practice halls that included male participants. Griffiths’ study introduces female jishū who were keenly involved—not as wives, daughters, or mothers, but as partners and leaders in the movement. Filling the lacunae that exists in our understanding of women’s participation in Japanese religious history, Griffiths highlights the significant roles female jishū held and offers a more nuanced understanding of Japanese Buddhist history. Students of Buddhism, scholars of Japanese history, and those interested in women’s studies will find this volume a significant and compelling contribution.