The Italian Wars of 1494-1559 had a major impact on the whole of Renaissance Europe. In this important text, Michael Mallett and Christine Shaw place the conflict within the political and economic context of the wars. Emphasising the gap between aims and strategies of the political masters and what their commanders and troops could actually accomplish on the ground, they analyse developments in military tactics and the tactical use of firearms and examine how Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about. The history of Renaissance Italy is currently being radically rethought by historians. This book is a major contribution to this re-evaluation, and will be essential reading for all students of Renaissance and military history.

In Warriors for a Living, Idan Sherer examines the experience of the Spanish infantry during the formative period of the Italian Wars. Decades of clashes between Spain and France transformed Italy into a crucible of military tactics and technology and brought about the emergence of the Spanish infantry tercios as Europe’s finest military force for more than a century. From their recruitment, through the complexities of everyday life in the army and culminating in the potential brutality of soldiering, the book offers a fresh and much needed exploration, analysis and, at times, reconsideration of what it meant to be a professional soldier in early modern Europe.

A historical analysis of the course of military operations and political machinations in Italy at the turn of the sixteenth century. The First and Second Italian Wars begins with the French conquest of much of Italy. But the French hold collapsed. The second French invasion gained Northern Italy. This time, the French allied with the Pope’s son, Cesare Borgia. Cesare managed to double deal too many people; his efforts ended in disaster. The French agreement with the Spanish allowed them to retake Naples only to be defeated at the Garigliano by the famous general, Gonzalo de Cordoba. These wars were not just another series of medieval fights. These battles were different from what had gone before: the French utilized a new method of artillery transport; the Spanish commander formulated a new system of military unit organization, and Cesare Borgia sought different systems of raising troops and forming states. And all the powers managed to spend vast amounts of money the likes of which no one had imagined before. This was the emergence of the so-called Military Revolution. Praise for The First and Second Italian Wars 1494–1504 “An amazing account of medieval warfare between two of Europe’s principle nations.” —Books Monthly (UK) “This is a fascinating, detailed look at these crucial wars, placing the military campaigns in their political context—the world that inspired the writings of Machiavelli, and you can see where he got his inspiration from!” —History of War

An account of the actions that followed the formation of the League of Cambrai in 1508.

The onset of the Italian Wars in 1494 provides the starting point for this impressive survey of European Warfare in early modern Europe. This sharp and compact analysis will interest anyone studying this period of military history

A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.