First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Winner: 2017 IBPA Benjamin Franklin Awards, Gold, Multicultural 2017 IBPA Benjamin Franklin Awards, Silver, Art & Photography Oaxaca Stories in Cloth includes more than 175 sensitive, intimate, full-color portraits of traditional people of the Oaxacan hinterlands who continue to wrap themselves in the clothing that expresses their ancient, living culture. Eric Mindling captures this vanishing world with artistry and respect, and just in the nick of time. This book offers a window into a vanishing culture where few people have the opportunity to go.

This book is a historical and archeological examination of the Isthmus Zapotec state, which was established at Tehuantepec in late prehispanic times through a campaign of conquest and colonization, and the responses that its descendant populations made to the complex political, economic, and cultural changes introduced by Spanish colonialism. Although the modern-day Isthmus Zapotecs are renowned in Mexico and among Latin Americanists for their vibrant cultural traditions and their legacy of political resistance, only isolated elements of the complex historical processes by which these patterns emerged have been studied previously. Using complementary archival and archeological sources, the book details the transformation of Isthmus Zapotec society under colonialism and the enduring structures through which its members redefined their political autonomy.

The artist author has portrayed the nature of the region, in geography, ethnology, anthropology, archaeology, history, economics, plastic arts, literature, music, folklore, religion, food, drink, sexual customs, etc. The result is an evocation of an entire civilization, throwing light upon the history and culture of all Mexico.

Powerful and beautifully written, this is the story of the Isthmus Zapotecs of southern Mexico and their unbroken chain of ancestors and collective memory over the generations. Mortuary beliefs and actions are collective and pervasive in ways not seen in the United States, a resonant deep structure across many domains of Zapotec culture. Anthropologist Anya Peterson Royce draws upon forty years of participant research in the city of Juchitán to offer a finely textured portrait of the vibrant and enduring power of death in the Isthmus of Tehuantepec of Mexico. Focusing especially on the lives of Zapotec women, Becoming an Ancestor highlights the aesthetic sensibility and durability of mortuary traditions in the past and present. An intricate blending of Roman Catholicism and indigenous spiritual tradition, death through beliefs and practices expresses a collective solidarity that connects families, binds the living and dead, and blurs the past and present. A model of ethnographic research and presentation, Becoming an Ancestor not only reveals the luminescent heart of Zapotec culture but also provides important clues about the cultural power and potential of mortuary traditions for all societies.

Wendy Call visited the Isthmus of Tehuantepec?the lush sliver of land connecting the Yucatan Peninsula to the rest of Mexico?for the first time in 1997. She found herself in the midst of a storied land, a place Mexicans call their country'sø?little waist,? a place long known for its strong women, spirited marketplaces, and deep sense of independence. She also landed in the middle of a ferocious battle over plans to industrialize the region, where most people still fish, farm, and work in the forests. In the decade that followed her first visit, Call witnessed farmland being paved for new highways, oil spilling into rivers, and forests burning down. Through it all, local people fought to protect their lands and their livelihoods?and their very lives.ø ø Call?s story, No Word for Welcome, invites readers into the homes, classrooms, storefronts, and fishing boats of the isthmus, as well as the mahogany-paneled high-rise offices of those striving to control the region. With timely and invaluable insights into the development battle, Call shows that the people who have suffered most from economic globalization have some of the clearest ideas about how we can all survive it.