Edith Somerville was a talented artist and illustrator, a capable huntswoman and a practical feminist. Her cousin Violet Martin (Martin Ross) had a prodigious memory, an ear for speech and dialect and profound political insight. Together, as Somerville and Ross, their literary styles seamlessly fused to create the masterpiece The Real Charlotte and the witty, comic tales of The Irish R.M. In her superbly illustrated biography Gifford Lewis examines the relationship between the cousins and expores the ways in which their Irish upbringing influenced their lives and work. -- Provided by publisher.

Major Sinclair Yeates leaves England to work as an Irish Resident Magistrate convinced that two and two make four. But as he passes judgement on a range of cases and characters that would have driven Solomon to drink he learns that in Ireland, two and two are just as likely to make five, or three, or even nothing at all... First published at the turn of the century as EXPERIENCES OF AN IRISH R.M., these stories were quickly recognised as classics of Anglo- Irish literature and as some of the funniest prose in the English language. This collection- containing all thirty-four stories- inspired the hugely successful television series.

Irish cousins both fall in love with the same man. Francie is young and attractive; Charlotte, middle-aged and plain.

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As Irish republicans sought to rid the country of British rule and influence in the early 20th century, a clear delineation was made between what was "authentically" Irish and what was considered to be English influence. As a member of the Anglo-Irish elite who inhabited a precarious identity somewhere in between, R. M. Smyllie found himself having to navigate the painful experience of being made to feel an outsider in his own homeland. Smyllie's role as an influential editor of the Irish Times meant he had to confront most of the issues that defined the Irish experience, from Ireland's neutrality during World War II to the fraught cultural claims surrounding the Irish language and literary censorship. In this engaging consideration of a bombastic, outspoken, and conflicted man, Caleb Wood Richardson offers a way of seeing Smyllie as representative of the larger Anglo-Irish experience. Richardson explores Smyllie's experience in a German internment camp in World War I, his foreign correspondence work for the Irish Times at the Paris Peace Conference, and his guiding hand as an advocate for cultural and intellectualism. Smyllie had a direct influence on the careers of writers such as Patrick Kavanagh and Louis MacNeice, and his surprising decision to include an Irish-language column in the paper had an enormous impact on the career of novelist Flann O'Brien. Smyllie, like many of his class, felt a strong political connection to England at the same time as he had enduring cultural dedications to Ireland. How Smyllie and his generation navigated the collision of identities and allegiances helped to define what Ireland is today.