This book provides an account of the drafting of the Irish Free Constitution of 1922, analysing the document in its historical context and exploring the reasons for its lack of success

This book examines the origins of Ireland in its first independent incarnation, the Irish Free State (1922-1937). It explores how contemporary public relations and propaganda techniques were used to construct an identity for this new state – a state which after enduring seven years of insurrection and civil war, became one of the most stable democracies in Europe. This stability, the book argues, was constructed not solely through policies enacted by governments, but through the construction of a Gaelic, Catholic and Celtic national identity. By shifting the perspective to how nation building was communicated, it weaves an interdisciplinary narrative that initiates a new understanding of nation building - providing insights of increasing relevance in current world events. Avoiding a simplistic cause and effect history of public relations, the book examines the uses and effects of early public relations from a political and societal perspective and suggests that while governments were only modestly successful in their varied propaganda efforts, cumulatively they facilitated a transition from violence to peace. This will be of interest to researchers and advanced students with an interest in public relations, propaganda studies, nation building and Irish studies.

This is an authoritative account of the a major, but neglected aspect of the Irish cultural renaissance- prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gum. The frequency and production of new plays, both original and translated, have never been approached since. This book investigates all of these works as well as journalism and manuscript material and discusses them in a lively and often humorous manner. -- Publisher description

This book offers a timely, and fresh historical perspective on the politics of independent Ireland. Interwar Ireland’s politics have been caricatured as an anomaly, with the distinction between Fianna Fáil and Fine Gael bewildering political commentators and scholars alike. It is common for Ireland’s politics to be presented as an anomaly that compare unfavourably to the neat left/right cleavages evident in Britain and much of Europe. By offering an historical re-appraisal of the Irish Free State’s politics, anchored in the wider context of inter-war Europe, Mel Farrell argues that the Irish party system is not unique in having two dominant parties capable of adapting to changing circumstances, and suggests that this has been a key strength of Irish democracy. Moreover, the book challenges the tired cliché of ‘Civil War Politics’ by demonstrating that events subsequent to Civil War led the Fine Gael/Fianna Fáil cleavage dominant in the twentieth-century.

"The work and career of the celebrated artist Harry Clarke is inextricably linked to the complex nature of early-twentieth-century Irish culture and of modernism. This beautifully designed and fully illustrated book assesses how Clarke and his studios responded to public and private commissions in glass and in illustration. Clarke's contribution is analysed in the context of the quest for a cohesive identity by the new Irish Free State and situated within international art and design movements. The book examines the complex relationship between visual art and literature that lies at the heart of Clarke's contribution to post-independence society in Ireland. Its scholarly essays highlight the impact of patronage, public reception, advertising, propaganda, war and memory on Clarke's work, placing it within a larger political, artistic and cultural context. Essential reading for art lovers and scholars alike, Harry Clarke and Artistic Visions of the New Irish State will appeal to anyone interested in the arts of Ireland, and the history and development of early- to mid-twentieth-century visual and material culture"--Inside front flap.

FIFTY ESSAYS.FIFTY CONTRIBUTORS.ONE EXTRAORDINARY YEAR. From the handover of Dublin Castle, to the dawning of a new border across the island, to the fateful divisions of the civil war, Ireland 1922 provides a snapshot of a year of turmoil, tragedy and, amidst it all, state-building as the Irish revolution drew to a close. Leading international scholars from different disciplines explore a turning point in Irish history; one whose legacy remains controversial a century on.

How did Ireland travel from the glorious Proclamation of 1916, with its promise of equality and universal citizenship, to the conservative constitution of 1937, which allowed for only a domestic identity for women? This book is a study of that journey, an overview of how specific pieces of legislation worked together to create an unequal state. Through an analysis of this legislation, which restricted women's political and economic rights, and the gender ideology it revealed, this book looks at how the promise of the revolution was thwarted and denied. In so doing, it examines the roles of women and women's organizations in this journey from equality to inequality and how women's citizenship was conceptualized. The triumph of conservatism was the result of a myriad of circumstances, the treaty that ended the Anglo-Irish War, the Civil War, and the influence of the Catholic church. Perhaps most significant was the persistence of patriarchy, which ensured the temporary success of a Catholic church-controlled, male-dominated, traditional society in which women's quest for unfettered citizenship and a free and equal role in the public sphere was hindered and obstructed. From this unfinished revolution, however, emerged a vibrant twentieth-century feminist movement that contribued to on evolving, liberal, democratic state.