The Irish Celebrating is a collection of essays which focuses on the complex dynamics of celebrating, its significance and its scope, through Ireland’s past and present experience. This book studies the dual aspects of celebrating —‘the festive’ and ‘the tragic’— which, while not necessarily functioning as a binary opposition, have long proved mutually constitutive of the Irish experience. Many different occasions and ways of celebrating are explored, be they associated with feasts, festivals, commemorations, re-enactments or mere merry-making. Irish literature abounds with motifs, symbols, allusions and devices that stand as ample testimony to the essential part played by celebration in the creative process. Both the treatment of mythical themes and figures, and the perception of contrasted realities and moods, all linked in some way or another with celebrating, are examined in the works of Irish novelists, poets and playwrights. If celebrations undeniably had a crucial role to play throughout Ireland’s troubled past, they continue to shape Irish society today, part and parcel of the deep social, economic and cultural changes it is currently experiencing. New representations of Irish identity as they are expressed through new forms of celebrating are explored in such varied contexts as emigration and immigration, alcohol addiction, church allegiance and European membership. The way the nationalist and unionist communities have been celebrating their past in Northern Ireland, often complacently and ostentatiously, is a theme dealt with in the final section of this collection. Irish, English, French, Spanish, Italian and American scholars apply a broad range of interdisciplinary expertise to original and illuminating essays which will undoubtedly provoke a new insight into the interplay between current trends and issues and the long-established patterns that thread through the volume.

It took a long time before St. Louis finally accepted its Irish population. When the first waves of Famine Irish arrived on the landing in the 1840s, the city was appalled by their poverty. As subsequent waves of Irish fled political oppression after the Civil War, anti-Catholic sentiment sparked bloody riots in which the Irish gave as good as they got. But after seven centuries of enslavement in their own country, nothing would stop them from creating a place in their adopted city. The story of their assimilation is as multifaceted as the Irish character itself. From Shanty to Lace Curtain introduces us to a range of St. Louis Irish, from priests like Timothy Dempsey and Charles Dismas Clark (the "Hoodlum Priest") to gangsters from the Bottoms Gang and Egan's Rats. We meet artists and revolutionaries, entrepreneurs, and entertainers. It takes us to the rough and tumble neighborhoods of 19th-century Kerry Patch and Dogtown, where immigrants and their children forged paths into the city's mainstream while preserving their Irish identity. We visit contemporary Irish St. Louis, where Irish dance and music thrive. At McGurk's Pub and the Pat Connolly Tavern we discover what makes an Irish pub truly Irish. We also learn the behind-the-scenes story of why St. Louis has two St. Patrick Day Parades. Local author and artist Patrick Murphy uses photos, interviews, and photos to compile this comprehensive collection dedicated to the Irish immigrants who helped make St. Louis what it is today.

March 17 is St Patrick's Day -- a day to wear green and a special celebration of St Patrick and all things Irish.

Do you know what a Brideóg is? What could you cure if you licked a lizard nine times? Why is Whit Sunday the unluckiest day of the year? From the author of The Irish Cottage comes a new book, exploring old Irish customs and beliefs. Chapters focus on the quarter-day festivities that marked the commencement of each season: ‘Spring: Imbolc’; ‘Summer: Bealtaine’; ‘Autumn: Lughnasa’ and ‘Winter: Samhain’, and also major life events – ‘Births, Marriages and Death Customs’ – and general beliefs in ‘Spirituality and Well-Being’ and ‘The Supernatural’. Focusing on the period from the mid-nineteenth to the mid-twentieth centuries, Irish Customs and Rituals discusses a time during which many of the practices and beliefs in question went into decline. Many of these customs were rooted in residual pre-Christian beliefs that ran parallel to, and in spite of, conventional religion practised in the country. Some customs were so deep-rooted that despite continued disapproval from the Roman Catholic Church they remain with us today. It is wonderful to see so many traditions still with us, as many are worthwhile remembering, commemorating, or even reviving today. Irish Customs and Rituals will appeal to all those with an interest in Irish history, folklore, culture and social history. Marion McGarry is the author of The Irish Cottage: History, Culture and Design (2017). She has a PhD in Architectural History and an MA in History of Art and Design and is currently a lecturer at Galway–Mayo Institute of Technology. She frequently writes articles about Irish social history and customs.

Potted history, quirky facts, sayings, hints and tips about Ireland's celebration and the saint it commemorates. The Little Book of St Patrick's Day will tell the story of St Patrick and how the holiday began, share the craic with a collection of sayings and describe how the festival is marked around the world (and in outer space). Separate the myths from the facts, find out how to celebrate at home and be dazzled by quirky facts and stats. Why is the shamrock the symbol of the day, did St Patrick really drive snakes out of Ireland and what should you eat and drink on March 17th? Find out in this pocket-sized guide to this Irish celebration that has enchanted people of all backgrounds across the globe. 'For the whole world is Irish on the Seventeenth o' March!' The Irish-American poet Thomas Augustine Daly, as seen on Bustle.com On St Patrick's Day 2011, the Irish-American astronaut Catherine Coleman played a 100-year-old flute belonging to the Irish band The Chieftains, while floating weightless in the space station. Her performance was later included in a track called The Chieftains in Orbit.

Michael Scott's Áras Mhic Dhiarmada and BusÁras is one of the most important modernist buildings in Ireland. Built between 1947 and 1953, it was intended to be a bus station like no other, providing ordinary working people with a range of amenities including a roof-top restaurant, incredible panoramic views of Dublin, a crèche, and a 24-hour newsreel cinema. It was to be a microcosm of the city, providing dignity, comfort, and convenience to bus users. From its inception the project was gripped in controversy. Construction ground to a halt for three years as Government and opposition argued over the merits and uses of the building. In the end it became home to the Department of Social Protection and Bus Éireann's provincial bus services. Despite receiving widespread acclaim for its architectural and design innovations, today it is a much maligned and misunderstood building. In this exciting collaboration, writer Eoin Ó Broin and photographer Mal McCann explore the vision behind ÁrÁras Mhic Dhiarmada and BusÁras, and celebrate the energy, creativity, and neglect of this incredible example of Irish modernist architecture and design.

A disarming novel that asks a simple question: Can gentle people change the world? In this charming and truly unique debut, popular Irish musician Ronan Hession tells the story of two single, thirty-something men who still live with their parents and who are . . . nice. They take care of their parents and play board games together. They like to read. They take satisfaction from their work. They are resolutely kind. And they realize that none of this is considered . . . normal. Leonard and Hungry Paul is the story of two friends struggling to protect their understanding of what’s meaningful in life. It is about the uncelebrated people of this world — the gentle, the meek, the humble. And as they struggle to persevere, the book asks a surprisingly enthralling question: Is it really them against the world, or are they on to something?