Many of us crave information to all the big questions in life like, “Who am I?” and “What is my soul’s purpose?” and “What happens after death and beyond?” The good news is that the answers lie within the understanding of energy and everything it creates in the universe as well as the spirit realm and all of its levels. The Invisible Mirror gives you the wisdom and simple tools needed on how to balance your mind, body, and soul to succeed within this lifetime. Kim Silver’s many years of holistic practice and studies have led her to a deep understanding of energy and how it plays into human and soul beings. She relies on assistance from Dezni—her own soul—to guide simple facts about energy that will encourage others to look in the invisible mirror and accept our loving lights of energy, find a purpose, and use it to move forward into a life of positivity and enlightenment. Through her easy to follow instructions, others will learn about the many levels of energy as well as how to master their egos, manage their daily energy supply, understand and connect to their soul, choose love over fear, and rise above their own humanness to find the truth about their lives. The Invisible Mirror explains simple facts about energy that will help anyone trust their inner voice to guide them on a self-reflective journey to find happiness, inner-peace, and a true purpose.

The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.