The nations of Latin America came into being without a strong sense of national purpose and identity. In The Invention of Argentina, Nicholas Shumway offers a cultural history of one nation's efforts to determine its nature, its destiny, and its place among the nations of the world. His analysis is crucial to understanding not only Argentina's development but also current events in the Argentine Republic.

N this comprehensive history, updated to include the climactic events of the five years since the Falklands War, Professor Rock documents the early colonial history of Argentina, pointing to the colonial forms established during the Spanish conquest as the source for Argentina's continued reliance on foreign commercial and investment partnerships. The collapse of Argentina's close western European ties after World War II is thus seen as the underlying cause for her current economic and political crisis.

Argues that Jewishness is an essential element of Argentina's self-fashioning as a modern nation.

The author of "The Chastening" returns with this definitive account of the most spectacular economic meltdown of modern times as he exposes dangerous flaws of the global financial system.

In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.

By the mid-twentieth century, Eastern European Jews had become one of Argentina's largest minorities. Some represented a wave of immigration begun two generations before; many settled in the province of Entre Ríos and founded an agricultural colony. Taking its title from the resulting hybrid of acculturation, The Invention of the Jewish Gaucho examines the lives of these settlers, who represented a merger between native cowboy identities and homeland memories. The arrival of these immigrants in what would be the village of Villa Clara coincided with the nation's new sense of liberated nationhood. In a meticulous rendition of Villa Clara's social history, Judith Freidenberg interweaves ethnographic and historical information to understand the saga of European immigrants drawn by Argentine open-door policies in the nineteenth century and its impact on the current transformation of immigration into multicultural discourses in the twenty-first century. Using Villa Clara as a case study, Freidenberg demonstrates the broad power of political processes in the construction of ethnic, class, and national identities. The Invention of the Jewish Gaucho draws on life histories, archives, material culture, and performances of heritage to enhance our understanding of a singular population—and to transform our approach to social memory itself.

DIVAn interdisciplinary anthology that includes many primary materials never before published in English./div