This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.

The remarkably successful gold standard before 1914 was the first international monetary regime. This book addresses the experience of the gold standard peripheries; i.e. regime takers with limited influence on the regime. How did small countries adjust to an international monetary regime with seemingly little room for policy autonomy?

The roots of Japan's aggressive, expansionist foreign policy have often been traced to its concern over acute economic vulnerability. Michael A. Barnhart tests this assumption by examining the events leading up to World War II in the context of Japan's quest for economic security, drawing on a wide array of Japanese and American sources.Barnhart focuses on the critical years from 1938 to 1941 as he investigates the development of Japan's drive for national economic self-sufficiency and independence and the way in which this drive shaped its internal and external policies. He also explores American economic pressure on Tokyo and assesses its impact on Japan's foreign policy and domestic economy. He concludes that Japan's internal political dynamics, especially the bitter rivalry between its army and navy, played a far greater role in propelling the nation into war with the United States than did its economic condition or even pressure from Washington. Japan Prepares for Total War sheds new light on prewar Japan and confirms the opinions of those in Washington who advocated economic pressure against Japan.

The main focus of this edited volume is an examination of dynamic relationships among Japan, Taiwan, Korea, and the northeastern region of China, and the economic development of each area in East Asia from the 1910s to the end of World War II. The development of foreign trade in East Asia, the relations between industrialization and consumption in Korea, the transactions in fertilizers and the development of small-scale industries in Taiwan are precisely examined. At present, East Asia is a major economic center of the world. It is necessary to look closely not only at both sides of the “exploitation or development under colonization” paradigm but also at the prewar factors that spurred East Asian economic growth in the postwar decades. A noteworthy characteristic of the Japanese colonial empire was the close economic and geographic relations among Japan, Taiwan, Korea, and the northeastern region of China. Economic integration within the empire strengthened considerably in the interwar years and remained high even during the war as compared to that in European countries and their colonies. What was the irreversible change in each colonial economy by means of forced incorporation into the Japanese empire? What was the impact on economic subjects such as merchants, manufacturers, managers, and workers through the colonial regime? This book provides readers with broad perspectives that are indispensable given that the factors discussed herein are the historical origins of current issues.

Following World War I, a generation of young architects in Japan took part in a movement toward "international architecture," or kokusai kenchiku, designing houses for people who blended Japanese and Western customs in their daily lives, and public buildings--from schools and hospitals to weather stations and golf clubhouses--that encompassed modern forms and new materials, especially earthquake-resistant reinforced concrete, yet systhesized the new with the old.--Ken Tadashi Oshima is assistant professor of architecture at the University of Washington.

The sixth and final volume in the series published for the Conference on Modern Japan reviews the political, economic and foreign policy problems faced by Japan during the 1930's and '40's. James Morley's introductory chapter, "Choice and Consequence," and Edwin O. Reisehauer's conclusion. "What Went Wrong?" define the context of the discussion. Contents: "Foreword," John Whitney Hall. 1. "Introduction: Choice and Consequence," James William Morley. PART ONE: Political and Military. II. "The Bureaucracy as a Political Force, 1920-45," Robert M. Spaulding, Jr. III. "Retrogression in Japan's Foreign Policy Decision-Making Process," Chihiro Hosoya. IV. "The Failure of Military Expansionism," Akira Iriye. V. "The Radical Left and the Failure of Communism," George M. Beekmann. PART TWO: Economic and Social. VI. "Rural Origins of Japanese Fascism," R. P. Dore and Tsutomu Ouchi. VII. "The Economic Muddle of the 192O's," Hugh I. Patrick. VIII. "Big Business and Politics in Prewar Japan," Arthur E. Tiedemann. PAKT THREE: Intellectual. IX. "Intellectuals as Visionaries of the New Asian Order," James B. Crowley. X. "Nakano Seigo and the Spirit of the Meiji Restoration in Twentieth- Century Japan," Tetsuo Najita. XI. "Oyama Ikuo and the Search for Democracy," Peter Duus. PART FOUR: Comparisons and Conclusions. XII. "Japan and Germany in the Interwar Period," Kentaro Hayashi. XIII. "What Went Wrong?" Edwin O. Reischauer. Index. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A Familiar Compound Ghost explores the relationship between allusion and the uncanny in literature. An unexpected echo or quotation in a new text can be compared to the sudden appearance of a ghost or mysterious double, the reanimation of a corpse, or the discovery of an ancient ruin hidden in a modern city. In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. A Familiar Compound Ghost traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry. Each chapter takes a different uncanny motif as its focus: doubles, ruins, reanimation, ghosts and journeys to the underworld.