From reality and trash-talk TV shows to sensationalized "black" relationship books, blacks are bombarded with a daily barrage of negative (and false) information about black-on-black love. On the heels of all this "black love is bad" news comes the mainstream media's manufactured cure for black relationship woes: interracial relationships with whites. What is the real agenda behind the promotion of interracial relationships -- and why are black males and females the main targets? "The Interracial Con Game" will provide some interesting and controversial answers -- and some long overdue food for thought. This politically-incorrect book reveals how interracial sex is used as a weapon of mass mind and body destruction and what black males and females must do to ensure our genetic, economic, and psychological survival.

This politically-incorrect book not only reveals the most critical problems facing Black America, if offers real solutions, and a blueprint for total economic and psychological transformation.(NON-FICTION/CURRENT EVENTS/BLACK HISTORY)

Masters of Doom is the amazing true story of the Lennon and McCartney of video games: John Carmack and John Romero. Together, they ruled big business. They transformed popular culture. And they provoked a national controversy. More than anything, they lived a unique and rollicking American Dream, escaping the broken homes of their youth to co-create the most notoriously successful game franchises in history—Doom and Quake—until the games they made tore them apart. Americans spend more money on video games than on movie tickets. Masters of Doom is the first book to chronicle this industry’s greatest story, written by one of the medium’s leading observers. David Kushner takes readers inside the rags-to-riches adventure of two rebellious entrepreneurs who came of age to shape a generation. The vivid portrait reveals why their games are so violent and why their immersion in their brilliantly designed fantasy worlds offered them solace. And it shows how they channeled their fury and imagination into products that are a formative influence on our culture, from MTV to the Internet to Columbine. This is a story of friendship and betrayal, commerce and artistry—a powerful and compassionate account of what it’s like to be young, driven, and wildly creative. “To my taste, the greatest American myth of cosmogenesis features the maladjusted, antisocial, genius teenage boy who, in the insular laboratory of his own bedroom, invents the universe from scratch. Masters of Doom is a particularly inspired rendition. Dave Kushner chronicles the saga of video game virtuosi Carmack and Romero with terrific brio. This is a page-turning, mythopoeic cyber-soap opera about two glamorous geek geniuses—and it should be read while scarfing down pepperoni pizza and swilling Diet Coke, with Queens of the Stone Age cranked up all the way.”—Mark Leyner, author of I Smell Esther Williams

Is Toni Morrison's writing as politically progressive as is widely assumed? In this eye-opening study, critic William Jefferson argues that it is not. Analyzing Morrison's major texts from the 1970s, '80s, and '90s, Jefferson argues that Morrison's writing has advanced problematic conceptions of racial essentialism, sexuality, and agency that would not be identified as in any way progressive if issued from the pen of a white writer. More than merely showing readers underappreciated aspects of African-American history, Morrison's fiction has actively intervened in the politics of her era--and in ways politically reactionary and disturbing. Stepping back from Morrison's fiction, Jefferson asks why scholars have not recognized these political aspects of Morrison's writing. What he finds is a purportedly left-wing academy focused predominantly on recognizing the indisputably black aspects of Morrison's work. This "politics of recognition," unfortunately, also naturalizes Morrison's representations in the same manner liberal humanist criticism naturalized the representations of the pre-1970 literary canon.

OVER 3 MILLION COPIES SOLD OF THE #1 BESTSELLING SERIES! Don't miss this New York Times bestselling "impossible to put down" (Buzzfeed) novel with deadly stakes, thrilling twists, and juicy secrets—perfect for fans of One of Us is Lying and Knives Out. Avery Grambs has a plan for a better future: survive high school, win a scholarship, and get out. But her fortunes change in an instant when billionaire Tobias Hawthorne dies and leaves Avery virtually his entire fortune. The catch? Avery has no idea why—or even who Tobias Hawthorne is. To receive her inheritance, Avery must move into sprawling, secret passage-filled Hawthorne House, where every room bears the old man's touch—and his love of puzzles, riddles, and codes. Unfortunately for Avery, Hawthorne House is also occupied by the family that Tobias Hawthorne just dispossessed. This includes the four Hawthorne grandsons: dangerous, magnetic, brilliant boys who grew up with every expectation that one day, they would inherit billions. Heir apparent Grayson Hawthorne is convinced that Avery must be a conwoman, and he's determined to take her down. His brother, Jameson, views her as their grandfather's last hurrah: a twisted riddle, a puzzle to be solved. Caught in a world of wealth and privilege with danger around every turn, Avery will have to play the game herself just to survive. **The games continue in The Hawthorne Legacy, The Final Gambit, and The Brothers Hawthorne!

The annual clash in New Orleans between the Grambling State University Tigers and the Southern University Jaguars represents the fiercest and most anticipated in-state football rivalry in Louisiana. The most significant national game to feature historically black colleges and universities is more than a contest; the Bayou Classic is a lavish event, featuring celebrities, a fan festival, and a halftime "Battle of the Bands" that offers an intensity equal to that of the gridiron. In Bayou Classic, Thomas Aiello chronicles the history of the game and explores the two schools' broader significance to Louisiana, to sports, and to the black community. When the Southern University Bushmen football team traveled to Monroe, Louisiana, to play the Tigers of Louisiana Negro Normal and Industrial Institute for the first time on Armistice Day, 1932, few realized they were witnessing the birth of a phenomenon. Aiello recounts Southern's early dominance over the smaller, two-year institution; Southern's acceptance into the Southwestern Athletic Conference; Grambling's hiring of the legendary Eddie Robinson, who would lead the Tigers to 408 wins between 1941 and 1997; Grambling's first victory over Southern; and years of alternating home and away games. In 1974, the rivalry found a neutral site in New Orleans -- first at Tulane Stadium and then the Superdome -- and became the "Bayou Classic." An NBC television contract introduced the Bayou Classic to a nationwide audience and completed the transformation of the game into a major event. The Bayou Classic remains the only nationally broadcast game between two historically black schools. Aiello supplements his colorful narrative with period photographs and informative appendices providing game results, statistics, and all-star teams from every year the schools have played. "To appreciate the rivalry," Coach Eddie Robinson once noted, "you have to realize Grambling and Southern fans are close friends, as well as relatives." Bayou Classic offers a splendid history for fans, friends, and those who want to know more about this special game.

"The biggest problem in Black America isn't crime, drugs, poverty, or inferior schools; it's the Black gender war between the Black male and female. Black Love Is A Revolutionary Act exposes the secret war that has been waged against the Black man and woman for over 500 years by America's power-elite-- and how they benefit from our destruction. The 13 Recipes for Black Gender Wars lays bare the manufactured confusion, conflicts, myths, and deceptions that are ripping black male and female relationships apart - and what we must do to neutralize them."-- p. [4] of cover.