This book offers the first comprehensive description of the prosody of nine Romance languages that takes into account internal dialectal variation. Teams of experts examine the prosody of Catalan, French, Friulian, Italian, Occitan, Portuguese, Romanian, Sardinian, and Spanish using the Autosegmental Metrical framework of intonational phonology and the Tones and Breaks Indices (ToBI) transcription system. The chapters all share a common methodology, based on a common Discourse Completion Task questionnaire, and provide extensive empirical data. The authors then analyse how intonation patterns work together with other grammatical means such as syntactic constructions and discourse particles in the linguistic marking of a varied set of sentence types and pragmatic meanings across Romance languages. The ToBI prosodic systems and annotations proposed for each language are based both on a phonological analysis of the target language as well as on the shared goal of using ToBI analyses that are comparable across Romance languages. This book will pave the way for more systematic typological comparisons of prosody across both Romance and non-Romance languages.

“A tour de force . . . provocative ideas expressed in Heideggerian, Derridean, and Deleuzian rhetoric . . . for a new wave of Christian theologians” (Bibliographia). The Insistence of God presents the provocative idea that God does not exist—God insists. God’s existence is a human responsibility, which may or may not happen. For John D. Caputo, God’s existence is haunted by “perhaps,” which does not signify indecisiveness but an openness to risk, to the unforeseeable. Perhaps constitutes a theology of what is to come and what we cannot see coming. Responding to current critics of continental philosophy, Caputo explores the materiality of perhaps and the promise of the world. He shows how perhaps can become a new theology of the gaps God opens. “John D. Caputo is at the top of his game, and he is not content to reiterate what he has already expressed, but continues to develop his own ideas further by way of a thorough engagement with the fields of theology, Continental philosophy, and religious thought.” —Clayton Crockett, University of Central Arkansas “For those allergic to theological certainty―whether of God’s existence or of God’s death―Caputo delivers storm-fresh relief: the theopoetics of God’s insistence.” —Catherine Keller, Drew University “In my life I have read no more stimulating book of theology. Buckle your seatbelt!” —Dialog “An excellent text that opens the way into new forms of theological thinking. He puts forward an argument that must be wrestled with and brings to light new avenues for both religious and theological thought. Caputo is not for the faint of heart.” —Reviews in Religion and Theology

Immigration policy is a subject of intense political and public debate. In this second edition of the widely recognized and authoritative work The Making of the Mosaic, Ninette Kelley and Michael Trebilcock have thoroughly revised and updated their examination of the ideas, interests, institutions, and rhetoric that have shaped Canada's immigration history. Beginning their study in the pre-Confederation period, the authors interpret major episodes in the evolution of Canadian immigration policy, including the massive deportations of the First World War and Depression eras as well as the Japanese-Canadian internment camps during World War Two. New chapters provide perspective on immigration in a post-9/11 world, where security concerns and a demand for temporary foreign workers play a defining role in immigration policy reform. A comprehensive and important work, The Making of the Mosaic clarifies the attitudes underlying each phase and juncture of immigration history, providing vital perspective on the central issues of immigration policy that continue to confront us today.

Everyone, it seems, struggles with moral and ethical issues. On a daily basis, newspapers, television, radio, and magazines feature the moral scandals of political, religious, and business leaders, not to mention entertainers. Moral failure has become so common that it no longer shocks us. We wonder whether it is possible to be morally good in a largely secular society. What is the source of moral authority? Do we need God to be good?