The Indus region, comprising the northwestern part of the Indian subcontinent (now Pakistan), has always had its distinct identity - racially, ethnically, linguistically and culturally. In the last five thousand years, this region has been a part of India, politically, for only five hundred years. Pakistan, then, is no 'artificial' state conjured up by the disaffected Muslim elite of British India. Aitzaz Ahsan surveys the history of Indus - as he refers to this region - right from the time of the Harappan civilization to the era of the British Raj, concluding with independence and the creation of Pakistan. Ahsan's message is aimed both at Indians still nostalgic about 'undivided 'India and their Pakistani compatriots who narrowly tend to define their identity by their 'un-Indianness'.

"The book provides an insight into the lives of Mirza Khusro Beg, a scion of a princely family of Georgia, and Fareedun, whose father was a nobleman from the ancient ruling tribe of Saqqez. Both were from the Caucasus, and were very young when fate intervened to uproot them from their homeland, and bring them to the deserts of Sindh thousands of miles away. In 1805, when Khusro was seventeen, he was brought to Hyderabad and adopted by Mir Karam Ali Khan Talpur, the ruler of Sindh. Some years later, Fareedun, also an orphan, joined Khusro in Hyderabad, eventually to become his son-in-law." "Meherafroze Habib also traces the historical background that led to the migration of the author's ancestors from Georgia to Sindh during the early 1800s, and recreates the era of domestic feudal revolts, the rapidly changing montage of conquerors, and the imposition of foreign rule by rival imperial powers in Georgia. The second half of the book focuses on Khusro's life as a young man and his relationship with the Mirs of Sindh, and continues with the family history until the twentieth century."--BOOK JACKET.

“Alice Albinia is the most extraordinary traveler of her generation. . . . A journey of astonishing confidence and courage.”—Rory Stewart One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan’s fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. “This turbulent history, entwined with a superlative travel narrative” (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart’s The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.

A Stirring Account Of One Of The World S Greatest Empires In December 1525, Zahir-Ud-Din Babur, Descended From Chengiz Khan And Timur Lenk, Crossed The Indus River Into The Punjab With A Modest Army And Some Cannon. At Panipat, Five Months Later, He Fought The Most Important Battle Of His Life And Routed The Mammoth Army Of Sultan Ibrahim Lodi, The Afghan Ruler Of Hindustan. Mughal Rule In India Had Begun. It Was To Continue For Over Three Centuries, Shaping India For All Time. In This Definitive Biography Of The Great Mughals, Abraham Eraly Reclaims The Right To Set Down History As A Chronicle Of Flesh-And-Blood People. Bringing To His Task The Objectivity Of A Scholar And The High Imagination Of A Master Storyteller, He Recreates The Lives Of Babur, The Intrepid Pioneer; The Dreamer Humayun; Akbar, The Greatest And Most Enigmatic Of The Mughals; The Aesthetes Jehangir And Shah Jahan; And The Dour And Determined Aurangzeb.

"Steeped in the tradition of the Indian epic, yet modern and vastly entertaining." —The Times (London) In her fiction debut, Alice Albinia weaves a multithreaded epic tale that encompasses divine saga and familial discord and introduces an unforgettable heroine. Leela—alluring, taciturn, haunted—is moving from New York back to Delhi. Worldly and accomplished, she has been in self-imposed exile from India and her family for decades; twenty-two years earlier, her sister was seduced by the egotistical Vyasa, and the fallout from their relationship drove Leela away. Now an eminent Sanskrit scholar, Vyasa is preparing for his son’s marriage. But when Leela arrives for the wedding, she disrupts the careful choreography of the weekend, with its myriad attendees and their conflicting desires. Gleefully presiding over the drama is Ganesh—divine, elephant-headed scribe of the Mahabharata, India’s great epic. The family may think they have arranged the wedding for their own selfish ends, but according to Ganesh it is he who is directing events—in a bid to save Leela, his beloved heroine, from Vyasa. As the weekend progresses, secret online personas, maternal identities, and poetic authorships are all revealed; boundaries both religious and continental are crossed; and families are ripped apart and brought back together in this vibrant and brilliant celebration of family, love, and storytelling.