This book explores what it meant to be a Greek community and how Athenians thought about past and present.

This book presents the first well-preserved set of sympotic pottery which served a Late Archaic house in the Athenian Agora. The deposit contains household and fine-ware pottery, nearly all the figured pieces of which are forms associated with communal drinking. Since it comes from a single house, the pottery also reflects purchasing patterns and thematic preferences of the homeowner. The multifaceted approach adopted in this book shows that meaning and use are inherently related, and that through archaeology one can restore a context of use for a class of objects frequently studied in isolation. Winner of the 2013 James R. Wiseman Book Award given by the Archaeological Institute of America.

The images analyzed in this project suggest that the modern understanding of the reclining symposium as an Orientalizing import was not shared by the ancient Athenians, who instead endowed the institution with a proud Hellenic pedigree. This realization calls into question the modern conception of the late Archaic symposium as a countercultural institution practiced exclusively by aristocrats who distinguished themselves from common citizens by engaging in a practice that was understood to be more Asian than Hellenic. On the contrary, I argue, the images' emphasis on the symposium as an ancient institution practiced by a community of equals has parallels in the rhetoric surrounding Athenian democracy, which sought legitimacy in a myth of autochthony that defined all citizen men as each other's equals. Far from being hostile to the common Athenian citizen, the symposium is represented on the vases as his birthright.

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama. This volume is dedicated to John McK. Camp II, to acknowledge the extraordinary impact he has had on the field of Greek archaeology through his work in the Athenian Agora, as a scholar of ancient Greece, and as Mellon Professor at the American School of Classical Studies. The contributors' work represents current research by the latest generation of scholars with ties to Athens. All of the contributors were students of Professor Camp in Greece, and their essays are dedicated to him in gratitude for his profound influence on their lives and careers.

How did the Greek view of Persia and Persians change so radically in the archaic and classical Greek sources that they turned from noble warriors into peacock-loving cross-dressers with murderous mothers? This book looks at the development of a range of responses to the Achaemenids and their Empire. Through a study of ancient texts and material evidence from the archaic and classical periods, Janett Morgan investigates the historical, political and social factors that inspired and manipulated different identities for Persia and the Persians within Greece.Key Features:an interdisciplinary approach to investigating cultural contact and cultural exchange to explore the Greek response to Persiaoffers unique insights into the role of Greek social elites and political communities in creating different representations of the Achaemenid Persians and their EmpireKeywords