University Press of Virginia film negatives used for the printing of the book.

NATIONAL BOOK AWARD WINNER Following Thomas Jefferson from the drafting of the Declaration of Independence to his retirement in Monticello, Joseph J. Ellis unravels the contradictions of the Jeffersonian character. He gives us the slaveholding libertarian who was capable of decrying mescegenation while maintaing an intimate relationship with his slave, Sally Hemmings; the enemy of government power who exercisdd it audaciously as president; the visionarty who remained curiously blind to the inconsistencies in his nature. American Sphinx is a marvel of scholarship, a delight to read, and an essential gloss on the Jeffersonian legacy.

A brochure and film-discussion guide to accompany a 27-minute film based on the 1976 exhibition at the National Gallery of Art in Washington, D.C. exploring Thomas Jefferson's interests in the arts.

When we think of Thomas Jefferson, a certain picture comes to mind for some of us, combining his physical appearance with our perception of his character. During Jefferson’s lifetime this image was already taking shape, helped along by his own assiduous cultivation. In Jefferson on Display, G. S. Wilson draws on a broad array of sources to show how Jefferson fashioned his public persona to promote his political agenda. During his long career, his image shifted from cosmopolitan intellectual to man of the people. As president he kept friends and foes guessing: he might appear unpredictably in old, worn, and out-of-date clothing with hair unkempt, yet he could as easily play the polished gentleman in a black suit, as he hosted small dinners in the President’s House that were noted for their French-inspired food and fine European wines. Even in retirement his image continued to evolve, as guests at Monticello reported being met by the Sage clothed in rough fabrics that he proudly claimed were created from his own merino sheep, leading Americans by example to manufacture their own clothing, free of Europe. By paying close attention to Jefferson’s controversial clothing choices and physical appearance--as well as his use of portraiture, architecture, and the polite refinements of dining, grooming, and conversation--Wilson provides invaluable new insight into this perplexing founder.

Under normal circumstances, Thomas Jefferson would have had more than two months to prepare for his presidency. However, since the House of Representatives finally settled a tied electoral vote only on 17 February 1801, he had two weeks. This book, which covers the two-and-a-half-month period from that day through April 30, is the first of some twenty volumes that will document Jefferson's two terms as President of the United States. Here, Jefferson drafts his Inaugural Address, one of the landmark documents of American history. In this famous speech, delivered before a packed audience in the Senate Chamber on March 4, he condemns "political intolerance" and asserts that "we are all republicans: we are all federalists," while invoking a policy of "friendship with all nations, entangling alliances with none." Jefferson appoints his Cabinet members and deals with the time-consuming process of sifting through the countless appeals and supporting letters of recommendation for government jobs as he seeks to reward loyal Republicans and maintain bipartisan harmony at the same time. Among these letters is one from Catharine Church, who remarks that only women, excluded as they are from political favor or government employment, can be free of "ignorant affectation" and address the president honestly. Jefferson also initiates preparations for a long cruise by a squadron of American warships, with an unstated expectation that their destination will probably be the Barbary Coast of the Mediterranean.

Thomas Jefferson designed his own tombstone, describing himself simply as "Author of the Declaration of Independence and of the Virginia Statute for Religious Freedom, and Father of the University of Virginia." It is in this simple epitaph that R.B. Bernstein finds the key to this enigmatic Founder--not as a great political figure, but as leader of "a revolution of ideas that would make the world over again." In Thomas Jefferson, Bernstein offers the definitive short biography of this revered American--the first concise life in six decades. Bernstein deftly synthesizes the massive scholarship on his subject into a swift, insightful, evenhanded account. Here are all of Jefferson's triumphs, contradictions, and failings, from his luxurious (and debt-burdened) life as a Virginia gentleman to his passionate belief in democracy, from his tortured defense of slavery to his relationship with Sally Hemings. Jefferson was indeed multifaceted--an architect, inventor, writer, diplomat, propagandist, planter, party leader--and Bernstein explores all these roles even as he illuminates Jefferson's central place in the American enlightenment, that "revolution of ideas" that did so much to create the nation we know today. Together with the less well-remembered points in Jefferson's thinking--the nature of the Union, his vision of who was entitled to citizenship, his dread of debt (both personal and national)--they form the heart of this lively biography. In this marvel of compression and comprehension, we see Jefferson more clearly than in the massive studies of earlier generations. More important, we see, in Jefferson's visionary ideas, the birth of the nation's grand sense of purpose.

New York Times Bestseller Named one of the Best Books of the Year by the San Francisco Chronicle Finalist for the George Washington Prize Finalist for the Library of Virginia Literary Award A New York Times Book Review Editors’ Choice Selection "An important book…[R]ichly rewarding. It is full of fascinating insights about Jefferson." —Gordon S. Wood, New York Review of Books Hailed by critics and embraced by readers, "Most Blessed of the Patriarchs" is one of the richest and most insightful accounts of Thomas Jefferson in a generation. Following her Pulitzer Prize–winning The Hemingses of Monticello¸ Annette Gordon-Reed has teamed with Peter S. Onuf to present a provocative and absorbing character study, "a fresh and layered analysis" (New York Times Book Review) that reveals our third president as "a dynamic, complex and oftentimes contradictory human being" (Chicago Tribune). Gordon-Reed and Onuf fundamentally challenge much of what we thought we knew, and through their painstaking research and vivid prose create a portrait of Jefferson, as he might have painted himself, one "comprised of equal parts sun and shadow" (Jane Kamensky).