This volume presents the first comprehensive study of the Kushite concepts of order in the state and in the cosmos as they were conceptualized in royal and temple texts, in urban architecture, in the structure of temple iconography, and in the relationship between the society and the temples as places of popular worship, archives of historical memory, and centres of cultural identity.

The development of Kushite concepts of order in the state and the cosmos forms the focus of László Török’s latest volume. Taking a wide variety of textual and iconographical evidence as his points of departure, the author sheds light on the formation of, and interaction between basic concepts such as inhabited space, sacred space, sacred landscape, historical memory and political legitimacy. The author traces this development by discussing the royal and temple texts, urban architecture, the structure of temple iconography, and the relationship between the society and the temples as places of popular worship, archives of historical memory, and centres of cultural identity.This volume presents the first comprehensive study on the subject.

Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.

The Proceedings of the 14th International Conference for Nubian Studies are published in the research journal Kush for its 20th issue. Sixty articles are presenting the advances of international research on Middle Nile Valley archaeology and highlighting the richness and importance of Sudanese sites along the different phases of its Prehistory and History i.e. kingdoms of Kush (Kerma, Napata, Meroe), Medieval, Post-Medieval and Modern Periods. The eighty authors are coming from different disciplines: archaeology, linguistic, bio-anthropology, museum studies, etc. Their contributions are showing the nowadays implication of research in site management, cultural heritage and museums, especially in the frame of the bilateral programme Qatar Sudan Archaeological Programme.

Using modern scientific methods, this book examines glass beads and vessel fragments dating from the Meroitic and Early Nobadia periods, providing a new assessment of glass from Nubia. Results reveal interrelationships between trade, technological understanding, and manufacturing choices across the cultures of Sudan, Egypt and the Mediterranean.

A lushly illustrated gazetteer of the archaeological sites of southern Egypt and northern Sudan and named a 2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land. This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.