The hungry king needs a new cook, but will he ever find someone who can make his favourite dish?There once was a very hungry king,Who needed a cook like anything.The only problem is, the king is so fussy, and none of the cooks he tries can make a dish that tastes just right! That is, until a most unlikely chef comes along: shuffling and shaking Wobbly Bob. He's scared of everything, from catching fish to digging for potatoes, but can he convince the hungry king to give him the job?The Cook and the King is a brilliantly funny story from the fantastic picture book partnership of Julia Donaldson and David Roberts, creators of Tyrannosaurus Drip. With clever rhyming verse and richly detailed illustrations, it's sure to become a fast favourite with children and adults alike!

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.

Scholars universally acknowledge the role that Christian belief played in the social movement engendered by Martin Luther King Jr. Yet few have actually delved into the complexity of King's theology itself. The centrality of one aspect of his theology in particular - imago Dei, the belief that human beings are made in God's image - has been surprisingly overlooked. In this book, Richard W. Wills Sr. offers a comprehensive analysis of King's appeal for civil rights by investigating his understanding of imago Dei. Wills begins by tracing the evolution of this idea through the history of Christian thought, showing the intellectual sources King drew on in constructing his own beliefs. Wills then demonstrates how King employed this idea in his civil rights work. The belief that we are all made in God's image was crucial, Wills shows, to King's understanding of human nature and equality. While King shared with many of his black church forebears the view that humanity's creation by God was a powerful argument for the equality of all people, he also took the concept much further. For King, being made in God's image meant that human beings have not only the right but also the power to reshape society and to build a "beloved community" on earth. Though explicitly grounded in Christian faith, the doctrine of imago Dei provided King with a theological rationale that was capable of addressing the needs of the community well beyond the walls of churches. Wills's thorough reconsideration King's thought makes the case for his importance as a theologian. It convincingly demonstrates that the concept of imago Dei formed the heart of his theology and, in turn, that his theology was central to the unfolding of the civil rights movement.

To rule their vast new American territories, the Spanish monarchs appointed viceroys in an attempt to reproduce the monarchical system of government prevailing at the time in Europe. But despite the political significance of the figure of the viceroy, little is known about the mechanisms of viceregal power and its relation to ideas of kingship. Examining this figure, The King's Living Image challenges long-held perspectives on the political nature of Spanish colonialism, recovering, at the same time, the complexity of the political discourses and practices of Spanish rule. It does so by studying the viceregal political culture that developed in New Spain in the sixteenth and seventeenth centuries and the mechanisms, both formal and informal, of viceregal rule. In so doing, The King's Living Image questions the very existence of a "colonial state" and contends that imperial power was constituted in ritual ceremonies. It also emphasizes the viceroys' significance in carrying out the civilizing mission of the Spanish monarchy with regard to the indigenous population. The King's Living Image will redefine the ways in which scholars have traditionally looked at the viceregal administration in colonial Mexico.

JamieJake White is our king. A king with a crown of thorns, a heart of stone, and evil in his soul. He hides it well though, under a beautiful smile and eyes that ravage your heart. But Stoneview Prep's golden boy has always had a dark aura around him. Like a well-guarded secret. A blackness that he never lets anyone see. "Curiosity killed the cat, Jamie." My mom always tells me. She never said it would get me in more trouble than I could handle. She never said it would throw me into the dark world of Jake White. And when I not-so-accidentally find out part of Jake's past, I finally learn the consequences of mischievous nosiness. Curiosity doesn't kill this cat. It turns it into a mouse to be played with. At least that's what Jake decided.JakeThree years. That's how much my twin and I got of freedom before our past caught up with us. We were doing well, we were being good, we were keeping out of trouble. Most of all, I was in control. But trouble always finds a reason to make its way back to us. And when it does, Jamie Williams is here to witness it. In the morning I learned of her existence, in the afternoon she was spying on me like a fangirl. This girl is desperate to find out what's behind the golden boy's facade I was kind enough to put on.So be it. I have time on my hands, darkness on my mind, and a hundred ways to make Jamie Williams bend to my will.This book is approximately 92,000 words and is the first book of a three-book series. Giving In is a dark high school bully romance intended for mature readers. It contains detailed sexual scenes and bullying scenes that some readers may find triggering. If you are unsure of your triggers, please heed the author's trigger warning in the book.

The writing of letters often evokes associations of a single author and a single addressee, who share in the exchange of intimate thoughts across distances of space and time. This model underwrites such iconic notions as the letter representing an 'image of the soul of the author' or constituting 'one half of a dialogue'. However justified this conception of letter-writing may be in particular instances, it tends to marginalize a range of issues that were central to epistolary communication in the ancient world and have yet to receive sustained and systematic investigation. In particular, it overlooks the fact that letters frequently presuppose and were designed to reinforce communities-or, indeed, to constitute them in the first place. This volume explores the interrelation of letters and communities in the ancient world, examining how epistolary communication aided in the construction and cultivation of group-identities and communities, whether social, political, religious, ethnic, or philosophical. A theoretically informed Introduction establishes the interface of epistolary discourse and group formation as a vital but hitherto neglected area of research, and is followed by thirteen case studies offering multi-disciplinary perspectives from four key cultural configurations: Greece, Rome, Judaism, and Christianity. The first part opens the volume with two chapters on the theory and practice of epistolary communication that focus on ancient epistolary theory and the unavoidable presence of a letter-carrier who introduces a communal aspect into any correspondence, while the second comprises five chapters that explore configurations of power and epistolary communication in the Greek and Roman worlds, from the archaic period to the end of the Hellenistic age. Five chapters on letters and communities in Ancient Judaism and Early Christianity follow in the third, part before the volume concludes with an envoi examining the trans-historical, or indeed timeless, philosophical community Seneca the Younger construes in his Letters to Lucilius.