The Image of Law is the first book to examine law through the work of Gilles Deleuze, activating his thought within problems of jurisprudence and developing a concept of judgment that acknowledges its inherently creative capacity.

Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.

This book extends the cultural turn in legal and criminological studies by interrogating our responses to the image. It provides a space to think through problems of ethics, social authority and the legal imagination.

The original text of the Constitution grants Congress the power to create a regime of intellectual property protection. The first amendment, however, prohibits Congress from enacting any law that abridges the freedoms of speech and of the press. While many have long noted the tension between these provisions, recent legal and cultural developments have transformed mere tension into conflict. No Law offers a new way to approach these debates. In eloquent and passionate style, Lange and Powell argue that the First Amendment imposes absolute limits upon claims of exclusivity in intellectual property and expression, and strips Congress of the power to restrict personal thought and free expression in the name of intellectual property rights. Though the First Amendment does not repeal the Constitutional intellectual property clause in its entirety, copyright, patent, and trademark law cannot constitutionally license the private commodification of the public domain. The authors claim that while the exclusive rights currently reflected in intellectual property are not in truth needed to encourage intellectual productivity, they develop a compelling solution for how Congress, even within the limits imposed by an absolute First Amendment, can still regulate incentives for intellectual creations. Those interested in the impact copyright doctrines have on freedom of expression in the U.S. and the theoretical and practical aspects of intellectual property law will want to take a closer look at this bracing, resonant work.

This book extends the cultural turn in legal and criminological studies by interrogating our responses to the image. It provides a space to think through problems of ethics, social authority and the legal imagination.

This book consists of contributions exploring from different perspectives the 'images' of the consumer in EU law. The images of the consumer form the foundation for various EU policies, more or less directly oriented towards the goal of consumer protection. The purpose of the volume is to establish what visions of the consumer there are in different contexts of EU law, whether they are consistent, and whether EU law's engagement with consumer-related considerations is sincere or merely instrumental to the achievement of other goals. The chapters discuss how consumers should be protected in EU contract, competition, free movement and trade mark law. They reflect on the limits of the consumer empowerment rationale as the basis for EU consumer policy. The chapters look also at the variety of concerns consumers might have, including the cost of goods and services, access to credit, ethical questions of consumption, the challenges of excessive choice and the possibility to influence the content of regulatory measures, and explore the significance of these issues for the EU's legislative and judicial process.

The ubiquity of streaming sites such as Pornhub has transformed the social role of sexually explicit content today. Online porn is no longer a shady corner of the internet; it is mainstream. Its production, commodification, and consumption on data-driven online platforms has changed – and is changing – our personal relationships, social and legal systems, and sexual norms. Online porn platforms are shaping sexual desires and practices in the same way that Google and Facebook have affected social relationships and the circulation of information: porn is now consumed on data-driven platforms with algorithms designed to engage the attention of users, encourage the production of user-generated videos, and filter content. Through frank examination of mainstream content with themes of incest, intoxication, and so-called consensual rough sex, issues that play out in life and in court, Elaine Craig shows how the platformization of mainstream pornography is shaping our sexual culture in real time. Mainstreaming Porn maps a complicated web of legal culture and legal actors, from corporate lawyers and platform content regulation to the criminal, civil, and administrative contexts in which porn companies operate and the legal interpretation of sexual assault defences. All have profound implications for the promotion and protection of everyone’s sexual integrity, and especially that of women and girls. Mainstreaming Porn is an unflinching, carefully balanced perspective on a divisive topic. Without demonizing pornography or its consumption, Craig makes a powerful argument for applying legal mechanisms to corporate-owned online platforms while offering a sober evaluation of the limits of the law in governing pervasive cultural norms and social understandings of sexuality.