The Illustrator and the Book in England from 1790 to 1914
Title | The Illustrator and the Book in England from 1790 to 1914 PDF eBook |
Author | Gordon Norton Ray |
Publisher | New York : Pierpont Morgan Library |
Pages | 384 |
Release | 1976 |
Genre | Design |
ISBN |
Based on an exhibition at the Pierpont Morgan Library, this handsome book demonstrates taht far from being a 'minor art,' book illustration was a genre of great imagination and equally great beauty.
The illustrator and the book in England from the 1790 to 1914
Title | The illustrator and the book in England from the 1790 to 1914 PDF eBook |
Author | Gordon Norton Ray |
Publisher | |
Pages | 336 |
Release | 1976 |
Genre | |
ISBN |
The Illustrator and the Book in England from 1790 to 1914
Title | The Illustrator and the Book in England from 1790 to 1914 PDF eBook |
Author | Gordon Norton Ray |
Publisher | Courier Corporation |
Pages | 390 |
Release | 1991-01-01 |
Genre | Art |
ISBN | 9780486269559 |
Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.
The Illustrator and the Book in England from 1790 to 1914
Title | The Illustrator and the Book in England from 1790 to 1914 PDF eBook |
Author | |
Publisher | |
Pages | 336 |
Release | 1976 |
Genre | Illustration of books |
ISBN |
˜THEœ ILLUSTRATOR AND THE BOOK IN ENGLAND FROM ˜1790œ (SEVENTEEN HUNDRED AND NINETY) TO ˜1914œ (NINETEEN HUNDRED AND FOURTEEN).
Title | ˜THEœ ILLUSTRATOR AND THE BOOK IN ENGLAND FROM ˜1790œ (SEVENTEEN HUNDRED AND NINETY) TO ˜1914œ (NINETEEN HUNDRED AND FOURTEEN). PDF eBook |
Author | Gordon N. Ray |
Publisher | |
Pages | 369 |
Release | 1976 |
Genre | |
ISBN |
A Companion to the Victorian Novel
Title | A Companion to the Victorian Novel PDF eBook |
Author | William Baker |
Publisher | Bloomsbury Publishing USA |
Pages | 458 |
Release | 2002-01-30 |
Genre | Literary Criticism |
ISBN | 0313011176 |
Victorian novels remain enormously popular today: some continue to be made into films, while authors such as Charles Dickens and George Eliot are firmly established in the canon and taught at all levels. These works have also attracted a great deal of critical attention, with much current scholarship examining the novel in relation to its historical, political, and cultural contexts. This reference book is an introductory guide to the Victorian novel, its background, and its legacy. Each chapter is written by an expert contributor and offers a fresh account of past, current, and new directions in scholarship. The volume is divided into several broad sections, with chapters in each section treating more specialized topics. The first section looks at the emergence of the Victorian novel and its literary precursors, with particular emphasis on the growth of serialization and the development of the novel of syndication. The second explores significant social and cultural facets of nineteenth-century British literature, while the third discusses the principal features of different genres, such as ghost stories, the Gothic, detective fiction, the social problem novel, and contemporary film adaptations. Individual authors are examined in the fourth section, while the fifth overviews various critical approaches and their application to nineteenth-century fiction.
Picture World
Title | Picture World PDF eBook |
Author | Rachel Teukolsky |
Publisher | Oxford University Press, USA |
Pages | 481 |
Release | 2020-08-15 |
Genre | Art |
ISBN | 0198859732 |
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.