Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.

One of the most popular literary subjects worldwide is the American Civil War. In addition to an enormous number of history buffs, there are tens of thousands of collectors of Civil War artifacts. In the last fifty years, several books have been written concerning the equipment associated with soldiers of specific Confederate states, but no book until now has ever chronicled the military equipment used by Texas soldiers. Texas Civil War Artifacts is the first comprehensive guide to the physical culture of Texas Civil War soldiers. Texas military equipment differs in a number of ways from the equipment produced for the eastern Confederate states. Most of the Texas-produced equipment was blacksmithed, or local-artisan made, and in many cases featured the Lone Star as a symbol of Texas. Contemporary Civil War literature frequently mentions that most soldiers of Texas displayed the Lone Star somewhere on their uniform or equipment. In this groundbreaking volume, Richard Mather Ahlstrom has photographed and described more than five hundred Texas-related artifacts. He shows the diverse use of the Lone Star on hat pins, waist-belt plates, buckles, horse equipment, side knives, buttons, and canteens. In addition, the weapons that Texans used in the Civil War are featured in chapters on the Tucker Sherrard and Colt pistols; shotguns, rifles, and muskets; and swords. Rounding out the volume are chapters on leather accouterments, uniforms and headgear, and a gallery of Texas soldiers in photographs. This book will prove to be a valuable reference guide for Civil War collectors, historians, museum curators, re-enactors, and federal and state agencies.

Throughout his life, Atlanta resident George W. Wray Jr. (1936–2004) built a collection of more than six hundred of the rarest Confederate artifacts including not just firearms and edged weapons but also flags, uniforms, and accoutrements. Today, Wray’s collection forms an integral part of the Atlanta History Center’s holdings of some eleven thousand Civil War artifacts. Confederate Odyssey tells the story of the Civil War through the Wray Collection. Analyzing the collection as material evidence, Gordon L. Jones demonstrates how a slave-based economy on the cusp of industrialization attempted to fight an industrial war. The broad range of the collection includes many rare or one-of-a-kind objects, such as a patent model and early inventions by gun maker George W. Morse, the bloodstained coat of a seventeen-year-old South Carolina soldier, battle flags made of cloth imported from England, and arms made in Georgia, the heart of the Confederacy’s burgeoning military-industrial complex. As Civil War history, Confederate Odyssey benefits from the study of material remains as it bridges the domains of professional scholars and amateur collectors such as Wray. The book tells of the stories, significance, and context of these artifacts to general readers and Civil War buffs alike. The Wray Collection is more than a gathering of relics; it is a tale of historical truths revealed in small details.

This wide-ranging display of artifacts from the Civil War will be an essential reference for collectors of military paraphernalia, wargamers, and anyone interested in military history. Weapons and uniforms of both the North and South have been photographed in vivid color for this book. Experts at West Point Military Academy and other military history establishments approved the carefully researched and specially commissioned artwork of uniformed figures that appear in this directory. Find superb photos of rifles, muskets, and handguns, ammunition, swords, bayonets, artillery pieces and shells, as well as badges of rank, medals, belt buckles and uniforms.

"Here is a new kind of dictionary - one that is packed with full-color photographs, plus thousands of terms and historical facts from the Civil War." "The Visual Dictionary of the Civil War gives you access to the specialized vocabulary of historians and Civil War buffs in a way that is clear, informative, and easy to understand." "If you know what a particular uniform or rifle or cannon looks like but don't know its name, simply look at the labels around the illustrations. And if you know a term but don't know exactly what it refers to, the index directs you to the illustrations that show you just what you are looking for."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A piece of Plymouth Rock. A lock of George Washington’s hair. Wood from the cabin where Abraham Lincoln was born. Various bits and pieces of the past—often called “association items”—may appear to be eccentric odds and ends, but they are valued because of their connections to prominent people and events in American history. Kept in museum collections large and small across the United States, such objects are the touchstones of our popular engagement with history. In Sacred Relics, Teresa Barnett explores the history of private collections of items like these, illuminating how Americans view the past. She traces the relic-collecting tradition back to eighteenth-century England, then on to articles belonging to the founding fathers and through the mass collecting of artifacts that followed the Civil War. Ultimately, Barnett shows how we can trace our own historical collecting from the nineteenth century’s assemblages of the material possessions of great men and women.