This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.

This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.

Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition.

At twelve, he was King of Fergana. At fifteen, he was King of Samarkand. And at nineteen, he was King of Exactly Nowhere. This is the story of Babur, the first Mughal emperor of Hindustan. It is based on the Babur Nama, in which Babur writes about the events in his life, and of the people and things he loved or hated. Descended from two legendary conquerors, Chenghis Khan and Amir Temur, Babur spent much of early life losing kingdoms, wandering through the Uzbek mountains and almost living the life of a vagabond. This is the story of the strange and wonderful things the future brought to him. Lavishly illustrated in Mughal miniature style paintings, this action-packed tale of this legend, king and adventurer will fascinate children and their parents alike.

Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.

A comprehensive collection of Mughal Natural History drawings, centred on the art of Ustad Mansur with current scientific information. Includes rare Mansur paintings from Russia and Tehran. Imaginary Birds, showcasing the artist's imagination beyond the representation of realism in nature. The Mughals combined their love of nature with their love and patronage of art. By Akbar's reign the master artists of his atelier were producing hundreds of paintings of birds and animals with great accuracy and suavity for manuscripts of animal fables and adventures for the Emperor. Natural history drawing reached its highest point during the reign of Akbar's son Jahangir whose atelier most notably illustrated the Baburnama, Jahangir's great grandfather's treatises celebrated as the first systematic account of Indian flora and fauna. Among the various master artists of Akbar and Jahangir's ateliers, none are more important than Ustad Mansur who painted many images of rare and unusual birds, animals, and flowers for Jahangir. Mughal Natural History Drawings and Ustad Mansur presents these images with their correct scientific identification and other relevant details.

Annemarie Schimmel has written extensively on India, Islam and poetry. In this comprehensive study she presents an overview of the cultural, economic, militaristic and artistic attributes of the great Mughal Empire from 1526 to 1857.