Includes "Table of cases determined in the Supreme Court of Iowa and published in v. 19-29 Iowa reports" (v. 5, Sept. 1871) and the Constitution and the Proceedings of the Iowa State Bar Association, 1874-78.

In 1872, a woman known only as "An Earnest Englishwoman" published a letter titled "Are Women Animals?" in which she protested against the fact that women were not treated as fully human. In fact, their status was worse than that of animals: regulations prohibiting cruelty against dogs, horses, and cattle were significantly more punitive than laws against cruelty to women. The Earnest Englishwoman's heartfelt cry was for women to "become–animal" in order to gain the status that they were denied on the grounds that they were not part of "mankind." In this fascinating account, Joanna Bourke addresses the profound question of what it means to be "human" rather than "animal." How are people excluded from political personhood? How does one become entitled to rights? The distinction between the two concepts is a blurred line, permanently under construction. If the Earnest Englishwoman had been capable of looking 100 years into the future, she might have wondered about the human status of chimeras, or the ethics of stem cell research. Political disclosures and scientific advances have been re–locating the human–animal border at an alarming speed. In this meticulously researched, illuminating book, Bourke explores the legacy of more than two centuries, and looks forward into what the future might hold for humans, women, and animals.

"A marvelous, organ-by-organ journey through the body eclectic…Irresistible [and] impressive." —John J. Ross, Wall Street Journal The human body is the most fraught and fascinating, talked-about and taboo, unique yet universal fact of our lives. It is the inspiration for art, the subject of science, and the source of some of the greatest stories ever told. In Anatomies, acclaimed author of Periodic Tales Hugh Aldersey-Williams brings his entertaining blend of science, history, and culture to bear on this richest of subjects. In an engaging narrative that ranges from ancient body art to plastic surgery today and from head to toe, Aldersey-Williams explores the corporeal mysteries that make us human: Why are some people left-handed and some blue-eyed? What is the funny bone, anyway? Why do some cultures think of the heart as the seat of our souls and passions, while others place it in the liver? A journalist with a knack for telling a story, Aldersey-Williams takes part in a drawing class, attends the dissection of a human body, and visits the doctor’s office and the morgue. But Anatomies draws not just on medical science and Aldersey-Williams’s reporting. It draws also on the works of philosophers, writers, and artists from throughout history. Aldersey-Williams delves into our shared cultural heritage—Shakespeare to Frankenstein, Rembrandt to 2001: A Space Odyssey—to reveal how attitudes toward the human body are as varied as human history, as he explains the origins and legacy of tattooing, shrunken heads, bloodletting, fingerprinting, X-rays, and more. From Adam’s rib to van Gogh’s ear to Einstein’s brain, Anatomies is a treasure trove of surprising facts and stories and a wonderful embodiment of what Aristotle wrote more than two millennia ago: "The human body is more than the sum of its parts."