The Iliad: Join Achilles at the Gates of Troy as he slays Hector to Avenge the death of Patroclus. Here is a story of love and war, hope and despair, and honor and glory. The recent major motion picture Helen of Troy staring Brad Pitt proves that this epic is as relevant today as it was twenty five hundred years ago when it was first written. So journey back to the Trojan War with Homer and relive the grandest adventure of all times. The Odyssey: Journey with Ulysses as he battles to bring his victorious, but decimated, troops home from the Trojan War, dogged by the wrath of the god Poseidon at every turn. Having been away for twenty years, little does he know what awaits him when he finally makes his way home. These two books are some of the most import books in the literary cannon, having influenced virtually every adventure tale ever told. And yet they are still accessible and immediate and now you can have both in one binding.

The Iliad dealing with the final stages of the Trojan War and The Odyssey with return and aftermath were central to the Classical Greeks' self identity and world view. Epic poems attributed to Homer, they underpinned ideas about heroism, masculinity and identity; about glory, sacrifice and the pity of war; about what makes life worth living. From Achilles, Patroclus and Agamemnon in the Greek camp, Hektor, Paris and Helen in Troy's citadel, the drama of the battlefield and the gods looking on, to Odysseus' adventures and vengeful return - Jan Parker here offers the ideal companion to exploring key events, characters and major themes. A book-by-book synopsis and commentary discuss the heroes' relationships, values and psychology and the narratives' shimmering presentation of war, its victims and the challenges of return and reintegration. Essays set the epics in their historical context and trace the key terms; the 'Journey Home from War' continues with 'Afterstories' of both heroes and their women. Whether you've always wanted to go deeper into these extraordinary works or are coming to them for the first time, The Iliad and the Odyssey: The Trojan War, Tragedy and Aftermath will help you understand and enjoy Homer's monumentally important work.

A worldwide exploration of the history, purpose, and inescapable influence of the Iliad and the Odyssey that will inspire readers to think anew about Homer’s work No one knows whether Homer was a real person, but there is no doubt that the epic poems assembled under his name are foundations of Western literature. The Iliad and the Odyssey—with their tales of the Trojan War, Achilles, Odysseus and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods—have inspired us for over two and a half millennia and influenced writers from Plato to Virgil, Pope to Joyce, and Dante to Margaret Atwood. In this graceful and sweeping book, Alberto Manguel traces the lineage of Homer’s poems. He examines their original purpose, either as allegory or record of history; surveys the challenges the pagan poems presented to the early Christian world; and looks at their reception after the Reformation through the present day. In this revised and expanded edition, Manguel ignites new ways of thinking about these classic works.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Adam Nicolson writes popular books as popular books used to be, a breeze rather than a scholarly sweat, but humanely erudite, elegantly written, passionately felt...and his excitement is contagious."—James Wood, The New Yorker Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek—and our—consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time. Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the poems themselves and their metaphors of life and trouble. Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts." The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean. The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 Excerpt: ... the corse; 'Tis proper honour to the dead. Then take we out our horse, When with our friends' kind's woe our hearts have felt delight to do A virtuous soul right, and then sup." This said, all full of woe Circled the corse; Achilles led, and thrice, about him close, All bore their goodly-coated horse. Amongst all Thetis rose, And stirr'd up a delight in grief, till all their arms with tears, And all the sands, were wet; so much they loved that Lord of Fears. Then to the centre fell the prince; and, putting in the breast Of his slain friend his slaughtering hands, began to all the rest Words to their tears: "Rejoice," said he, "O my Patroclus, thou Courted by Dis now: now I pay to thy late overthrow All my revenges vow'd before. Hector lies slaughter'd here Dragg'd at my chariot, and our dogs shall all in pieces tear His hated limbs. Twelve Trojan youths, born of their noblest strains, I took alive; and, yet enraged, will empty all their veins Of vital spirits, sacrificed before thy heap of fire." This said, a work unworthy him he put upon his ire, And trampled Hector under foot at his friend's feet. The rest Disarm'd, took horse from chariot, and all to sleep address'd At his black vessel. Infinite were those that rested there. Himself yet sleeps not, now his spirits were wrought about the cheer Fit for so high a funeral. About the steel used then Oxen in heaps lay bellowing, preparing food for men; Bleating of sheep and goats fill'd air; numbers of white-tooth'd swine, Swimming in fat, lay singeing there: the person of the slain Was girt with slaughter. All this done, all the Greek kings convey'd Achilles to the king of men; his rage not yet allay'd For his Patroclus. Being arrived at Agamemnon's tent, Himself bade heralds put to ...