What is national identity? What are the main challenges posed to national identity by the strengthening of regional identities and the growth of cultural diversity? How is right-wing nationalism connected to the desire to preserve a traditional image of national identity? Can we forge a new kind of national identity that responds to the challenges of globalization and other deep-seated changes? In this important new book, Montserrat Guibernau answers these and other compelling questions about the future of national identity. For Guibernau, the nation-states traditional project to unify its otherwise diverse population by generating a shared sense of national identity among them was always contested, and was accomplished with various degrees of success in Europe and North America. Such processes involved the cultural and linguistic homogenization of an otherwise diverse citizenry and were pursued by different means according to the specific contexts within which they were applied. At present, the impact of strong structural socio-political and economic transformations has resulted in greater challenges being posed to the idea that all citizens of a state should share a homogeneous national identity. Diversity is increasing, and plans for further European integration contain the potential to generate significant tensions, casting greater doubt on the classical concept of national identity. As a result, we are faced with a set of new dilemmas concerning the way in which national identity is constructed and defined. The book offers a theoretical as well as a comparative approach, with case studies involving Austria, Britain, Canada and Spain, as well as the European Union and the United States of America. The Identity of Nations will be essential reading for advanced students and professional scholars in sociology, politics and international relations.

From the barbarian epics to the ethnographic museums, from the national languages to emblematic landscapes or typical costumes, this book retraces the cultural fabrication of the European nations. National identities are not facts of nature, but constructions.

This book examines links between gender, race and national identity by analyzing a range of mass-mediated and pop-cultural ‘texts’ in four nations: Australia, Japan, the United Kingdom and the USA.

This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Conceptions of nationalism as a historical and contemporary phenomenon remain fragmentary in the late-1990s. This text analyzes the contraditions inherent in the general understanding of nationalism in order to fashion a new intellectual synthesis.

Rituals and performances are a key theme in the study of nations and nationalism. With the aim of stimulating further research in this area, this book explores, debates and evaluates the role of rituals and performances in the emergence, persistence and transformation of nations, nationalisms and national identity. The chapters comprising this book investigate a diverse array of contemporary and historical phenomena relating to the symbolic life of nations, from the Yasukuni Shrine in Japan to the Louvre in France, written by an interdisciplinary cast of world-renowned and up-and-coming scholars. Each of the contributors has been encouraged to think about how his or her particular approach and methods relates to the others. This has given rise to several recurring debates and themes running through the book over how researchers ought to approach rituals and performances and how they might best be studied. The Cultural Politics of Nationalism and Nation-Building will appeal to students and scholars of ethnicity and nationalism, sociology, political science, anthropology, cultural studies, performance studies, art history and architecture.

In search of an explanation of how a sense of ethnic identity evolves to create the concept of nation, Armstrong analyzes Islamic and Christian cultures from antiquity to the nineteenth century. He explores the effects of institutions--the city, imperial polity, bureaucratic imperatives of centralization, and language divisions--on the development of ethnicity. Political science furnishes the focus, anthropology and sociology provide the conceptual framework, and history affords the evidence. Originally published 1982. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.