Deploys the concept of Utopia as a framework for understanding intellectual developments in the late Roman period Interprets the late Roman period as a time of dynamism in which new ideas emerged (rather than as a time of mere decline and fall) Questions Roman identity as a construct that needed to be created and recreated, rather than as a fixed essence that could be taken for granted

The Eternal Decline and Fall of Rome tells the story of 2200 years of the use and misuse of the idea of Roman decline by ambitious politicians, authors, and autocrats as well as the people scapegoated and victimized in the name of Roman renewal. It focuses on the long history of a way of describing change that might seem innocuous, but which has cost countless people their lives, liberty, or property across two millennia.

New York Times Bestseller A New York Times Notable Book Named one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus Reviews Finalist for the National Book Critics Circle Award (Nonfiction) Shortlisted for the Cundill Prize in Historical Literature Finalist for the Los Angeles Times Book Prize (History) A San Francisco Chronicle Holiday Gift Guide Selection A New York Times Book Review Editors’ Choice Selection A sweeping, "magisterial" history of the Roman Empire from one of our foremost classicists shows why Rome remains "relevant to people many centuries later" (Atlantic). In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.

Roman towns and their history are generally regarded as being the preserve of the archaeologist or the economic historian. In this famous, unusual and radical book which touches on such disparate themes as psychology and urban architecture, Joseph Rykwert has considered them as works of art. His starting point is the mythical, historical and ritual texts in which their foundation is recounted rather than the excavated remains, such texts having parallels not merely in ancient Greece but also further afield Mesopotamia, India and China. To achieve his reading of the Roman town, he has invoked the comparative method of the anthropologists, and he examines first of all the 'Etruscan rite', a group of ceremonies by which all, or practically all, Roman towns were founded. The basic institutions of the town, its walls and gates, its central shrines and its forum are all of them part of a pattern to which the rituals and the myths that accompanied them provide clues. Like in other 'closed' societies, these rituals and myths served to create a secure home for the citizen of Rome and to make him feel part of his city and place it firmly in a knowable universe. 'It is refreshing to look at standard themes of the history of urban design from a nonrational point of view, to see surveyors as quasi priests and orthogonal planning as a sophisticated technique touched by divine mystery . . .. Rykwert's lasting worth will be to wrench us away from rationalist simplicities, and to make us face the fundamental disquietof the human spirit in its claim to a permanent place on the land.' Spiro Kostoff, Journal of the Society Architectural Historians

This book seeks to discover what the Romans themselves thought about their empire by examining the changing meaning of key terms.

This book looks at the aristocratic adoption of Roman ideals in eighteenth-century English culture.